English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 115182/146233 (79%)
造訪人次 : 54363679      線上人數 : 447
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/152306


    題名: Debris as Storied Matter: Ecological Violence of War in A Tale for the Time Being
    作者: Liu, Ling
    貢獻者: 文山評論:文學與文化
    關鍵詞: ecocriticism;war;environment;Ruth Ozeki;speciesism
    日期: 2024-06
    上傳時間: 2024-07-10 14:51:22 (UTC+8)
    摘要: I examine details of the ecological violence of war in Ruth Ozeki’s novel A Tale for the Time Being, positing that these seemingly peripheral details underscore the significant role of military imperialism in perpetuating environmental destruction, speciesism, and racist violence on indigenous people. During the Pacific War, pilots stationed in the Aleutian Islands use whales as bombing targets, exemplifying an anthropocentric perspective that regards non-human animals merely as instruments for human purposes. Ozeki demonstrates that through a cross-species collaboration between Callie and the whales, people formally ignorant of their violence on animals can be made to care about animals. In addition, both the Aleutian Islands and Okinawa are marked by militarized violence on both the indigenous people and the landscape. The environmental damage caused by military actions in World War II extends beyond the immediate impacts of combat. The Fukushima Daiichi nuclear disaster should be understood as a direct outcome of the nuclear industry established during World War II. Through depictions of the propaganda on nuclear energy, the massive displacement of local people after the nuclear fallout, and the uncontainable, far-reaching consequences of radiation contamination, Ruth Ozeki alerts readers to the destructive capabilities that both nuclear energy and nuclear weapons possess. Moreover, Ozeki’s choice of Canada as the victim of radiation from Japan should not be seen as reinforcing the image of a “safe” Canada; instead it critiques Canada’s role in global imperialism by revealing Canada’s supply of uranium to the Manhattan Project and its continuous supply of oil to the US military.
    關聯: 文山評論:文學與文化, 17(2), 147-168
    資料類型: article
    DOI 連結: https://doi.org/10.30395/WSR.202406_17(2).0008
    DOI: 10.30395/WSR.202406_17(2).0008
    顯示於類別:[文山評論:文學與文化 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    17-2-8.pdf555KbAdobe PDF44檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋