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政大機構典藏 > 學術期刊 > 政大中文學報 THCI Core > 期刊論文 > Item 140.119/152202

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Title:	徐訏詩歌創作論 On Xu Xu’s Poetic Creation
Authors:	李怡 Li, Yi
Contributors:	政大中文學報
Keywords:	徐訏;邊緣化;新詩音樂 Xu Xu;self-marginalized;the musicality of new poetry
Date:	2024-06
Issue Date:	2024-07-02 10:08:25 (UTC+8)
Abstract:	詩人徐訏的人生和創作跨越兩岸三地，是一位少有將詩歌創作貫穿始終，且詩風穩定的詩人。他是一位特立獨行者，與「時代」長期保持一定的距離，「自我邊緣化」選擇讓徐訏的新詩異於現代新詩的一系列慣常的面貌。較之於1930年代的現代派新詩，徐訏在孤獨寂寞中的冥思發展出了新的詩歌主題。徐訏一生篤信新詩的音樂性，長期致力於新詩音樂形式的嘗試和探索，包括借助音樂旋律的「自由」。 Having a steady poetic style, Xu Xu’s poetic creation spans across the mainland, Hong Kong, Macao and Taiwan regions throughout his whole life. Xu Xu as a maverick maintained a certain distance from that era for a long time. Xu’s choice of self-marginalization made his new poems different from the customary features of contemporaneity. Compared with the new modernist poems of the 1930s, Xu Xu developed a new poetic theme through solitary meditation. He maintained a lifelong belief in the musicality of new poems and devoted himself to the exploration and experimentation of its musical forms, incorporating the freedom to include musical melodies.
Relation:	政大中文學報, 41, 1-19
Data Type:	article
DOI 連結:	https://doi.org/BDCL.202406_(41).0001
DOI:	10.30407/BDCL.202406_(41).0001
Appears in Collections:	[政大中文學報 THCI Core] 期刊論文

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