政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/149673
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113485/144472 (79%)
Visitors : 51391186      Online Users : 726
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/149673


    Title: 在愛慾中消失的他者：媒體創作研究
    The Disappear of Andere in Eros : A Study of Media Creation
    Authors: 沈思涵
    SHEN, Si-Han
    Contributors: 陶亞倫
    廖峻鋒
    Tao, Ya-Lun
    Liao, Jun-Feng
    沈思涵
    SHEN, Si-Han
    Keywords: AI伴侶
    愛慾
    他者
    自我
    生成式藝術
    AI companion
    desire
    other
    self
    Generative Art
    Date: 2024
    Issue Date: 2024-02-01 11:48:54 (UTC+8)
    Abstract: 為什麼現代青年人不輕易愛了？今天的我們生活在一個肯定性的社會，我們渴望被認同、被讚揚、被接納。反感被否定、被說教、被規訓。人與人之間傾向尋找同一性的群體，用差異性分割彼此。同時隨著科技性愛的蓬勃發展，越來越多的人將親密關係的發展對像投射在科技物中。本文主要研究現代社會、文化、環境下形成的愛情觀念對現代青年人的愛情觀念產生了哪些影響？同時思考AI伴侶作為人類親密關係的另一種選擇會帶來怎樣的結果？使用推測設計創建一個未來可能發生的情境，運用AI生成工具進行影像創作，描繪在一個不太遙遠的未來，AI伴侶已經完全進入人類生活，成為人類社會的組成部分，政府為了保障人類與人類之間的關係發展頒布《AI伴侶沉浸值管理法》要求AI伴侶的製造廠商必須在AI伴侶上安裝沉浸值檢測，一旦檢測到用戶將情感完全投射在AI伴侶身上必須立刻發出警告，提醒用戶「sorry，I’m a robot」。通過此情境設計激發觀眾重新審視人類情感與AI伴侶機器人的情感對比。
    Why do young people in today's world not fall in love so easily? Today we live in a society of certainty, where we long to be recognized, praised and accepted. We resent being denied, lectured and disciplined. People tend to look for homogeneous groups and divide each other with differences. At the same time, with the development of technological sex, more and more people are projecting the development of intimate relationships onto technological objects. This paper focuses on how the concepts of love formed in modern society, culture, and environment have affected the concepts of love of contemporary youth. It also considers the consequences of AI partners as an alternative to human intimacy. In the not-too-distant future, AI companions have fully entered human life and become an integral part of human society. In order to safeguard the development of human relationships, the government has promulgated the AI Companion Immersion Value Management Act, which requires AI companion manufacturers to install immersion value detection on their AI companions. The law requires AI companion manufacturers to install immersion value detection on their AI companions, and to issue a warning once they detect that the user is fully projecting emotions onto the AI companion, reminding the user that "Sorry, I'm a robot". Through this scenario design, the audience will be inspired to re-examine the emotional contrast between human emotions and the AI companion robot.
    Reference: 中文參考文獻
    1. Z 時代（Generation Z）指起源於歐美的用語，但在大中華地區也較為流行，特指在 1990 年代末葉至 2010年代前期出生的人。
    2. 我們真的成為「愛無能」的世代了嗎？天下雜誌。網址為 https://www.cw.com.tw/article/5087876。
    3. 古希臘文有個對應的詞：atopos，意思就是獨一無二，難以收納入任何類別任何範疇。
    4. 義大利詩人但丁·阿利吉耶裡（Dante Alighieri），出自他的史詩作品《神曲》（Divine Comedy）中的第三篇部分「天堂篇」（Paradiso）。
    5. 奧古斯丁（Saint Augustine）的《告白錄》（Confessions）。
    6. 威廉莎士比亞著，朱生豪譯：《羅密歐與朱麗葉》（臺北：洪範書店 1988），P12。
    7. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），p11.
    8. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P11。
    9. 黃沐恩，《情動於中: 生死愛慾的哲學思考》，2019.
    10. Illouz, E. (2022). 為什麼不愛了？ [Why don't we love anymore?]. 臺北市：商周出版.
    11. 巴迪歐, A. (2012). 愛的多重奏 [The Course of Love] (第71頁). 上海: 華東師範大學出版社。
    12. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P63-66。
    13. 柏拉圖（2008）《饗宴：柏拉圖式愛的真諦》（Symposium）(王曉朝, 譯),台灣：左岸文化，P56-57.
    14. Eva Illouz，葉嶸譯：《愛為什麼痛？》（why love hurts？），（上海：華東師範大學出版社，2015.9）
    15. 上野千鶴子，信田小夜子，呂靈芝譯：《身為女性的選擇》，（北京：國際文化出版社，2023.02.28）
    16. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P33-34。
    17. Eva Illouz，葉嶸譯：《愛為什麼痛？》（why love hurts？），（上海：華東師範大學出版社，2015.9）
    18. 許菁芳. (2022, 1月3日). 為什麼不愛了？給現代男女的消極關係社會學 [Why don't we love anymore? A sociological perspective on negative relationships for contemporary men and women]. 獨立評論＠天下.
    19. 韓炳哲（2022），管中琪譯：《愛慾之死》，（台灣：大塊文化出版社），p43
    20. 亞裡斯多德：《形而上學》第三卷，引自理查特·霍普譯：《亞裡斯多德的〈形而上學〉》，紐約哥倫比亞大學出版社，1952
    21. 李尚文，苦澀的愛情社會學：我們是自由的，可為何還是「愛無能」？2022-02-14
    22. 陶鋒. (2020). 人工智慧語言的哲學闡釋. 南開學報（哲學社會科學版）, 2020(3)
    23. 36Kr. (2023, 11月29日). 斯坦福華人博士文生視頻Pika 1.0爆火，4人公司估值2億，OpenAI聯創參投https://36kr.com/p/2539021165094660
    24. iThome.(2023,6月21日）專門研究語音技術的AI新創ElevenLabs完成1,900萬美元的A輪融資https://www.ithome.com.tw/news/157463
    25. iThome.(2023,1月16日）Eleven Labs新語音模型供用戶設計全新合成聲聲音，https://www.ithome.com.tw/news/155185
    26. iThome.(2023,9月14日）Stability AI發表文字生成音樂AI工具Stable Audio https://www.ithome.com.tw/news/158741
    27. Rocky(2023,11月25日) Stable Audio 線上 AI 配樂生成器，輸入你想要的風格、節拍等設置指令就能輕鬆生成https://www.kocpc.com.tw/archives/522310
    28. 澎湃新聞.（2021.11月29日）2021年中國年輕人你的愛情觀發生了什麼變化，https://m.thepaper.cn/newsDetail_forward_15602186

    英文參考文獻：
    1. Auger, J. (2013). Speculative design: Crafting the speculation. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 1583-1592.
    2. https://zh.wikipedia.org/wiki/%E7%94%9F%E6%88%90%E8%89%BA%E6%9C%AF
    3. Li, C. (2003). Artistic Evolution: A New Class of Evolutionary Algorithms. In Proceedings of the 2003 Congress on Evolutionary Computation (CEC’03) (Vol. 3, pp. 1987–1994). IEEE.
    4. Li, X. (2017). Artificial Intelligence in Arts: Intelligence beyond Tools. In 2017 2nd International Conference on Image, Vision and Computing (ICIVC) (pp. 116–120). IEEE.
    5. Elgammal, A., Liu, B., Elhoseiny, M., & Marecek, J. (2017). CAN: Creative Adversarial Networks, Generating" Art" by Learning About Styles and Deviating from Style Norms. arXiv preprint arXiv:1706.07068.
    6. Colton, S., & Wiggins, G. A. (2012). Computational Creativity: The Final Frontier? In E. Pease, A. Smaill, & M. A. Cohn (Eds.), Proceedings of the AISB Symposium on AI and Creativity in Arts and Science (pp. 21–29). Society for the Study of Artificial Intelligence and Simulation of Behaviour.
    7. Jordanous, A. (2016). A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative. Cognitive Computation, 8(3), 346–378.
    8. Goodfellow, I., Pouget-Abadie, J., Mirza, M., Xu, B., Warde-Farley, D., Ozair, S., ... Bengio, Y. (2014). Generative Adversarial Nets. In Advances in Neural Information Processing Systems 27 (pp. 2672–2680). Curran Associates, Inc.
    9. Goodfellow, I., Pouget-Abadie, J., Mirza, M., Xu, B., Warde-Farley, D., Ozair, S., … Bengio, Y. (2014). Generative Adversarial Nets. In Advances in Neural Information Processing Systems 27 (pp. 2672–2680). Curran Associates, Inc.
    10. Huang, H., Wu, D., Zhang, X., & Chen, K. (2017). DeepMusic: Generating Music from Visual Art. In Proceedings of the 8th International Conference on Multimedia Systems (pp. 99–107). ACM.
    11. Hao, K. (2019). Google’s AI Wizard Unveils a New Twist on Neural Networks. MIT Technology Review. https://www.technologyreview.com/s/613630/googles-ai-wizard-unveils-a-new-twist-on-neural-networks/
    12. D. Harwell, “He used AI to win a fine-arts competition. Was it cheating?,” Washington Post, Sep. 02, 2022. Available: https://www.washingtonpost.com/technology/2022/09/02/midjourneyartificial-intelligence-state-fair-colorado/
    13. Ernst, Hayden, "Artificial: A Study on the use of Artificial Intelligence in Art" (2023). Theses/Capstones/Creative Projects. 208. https://digitalcommons.unomaha.edu/university_honors_program/208
    14. Andrii Titov, (2022, August 8), Midjourney as an artificial intelligence system. [Online] Available at: https://stepico.com/blog/midjourney-as-an- artificial-intelligence-system/ , (accessed on 12 August, 2022).
    15. https://tenten.co/learning/runway-motion-brush/
    16. De Beauvoir, S. (1949). Le Deuxième Sexe [The Second Sex]. Paris: Gallimard.
    17. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007).
    18. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007).
    19. https://www.inside.com.tw/article/32895-chatgpt-can-see-hear-speak 20. Dr Ramani Durvasu-la . (2022-2). Should I Stay or Should I Go:Surviving A Relationship with a Narcissist 浙江： 浙江大學出版社 .
    21. Cooley, C. H. (1902). Human nature and the social order. American Journal of Sociology.
    22. Emmanuel Lévinas, "Time and the Other" (German: "Die Zeit und der Andere"), in the same work, page 56.
    23. GEOＲＲGEG DawnofTheSexbots［ J］． VanityFair 2015 57(5) :154
    24. truecompanion.com, accessed March 3, 2018.
    25. Darling K (2016) Extending legal protection to social robots: the effects of anthropomorphism, empathy, and violent behavior towards robotic objects. In: Calo R, Froomkin AM, Kerr I (eds) Robot law. Edward Elgar Publishing, Cheltenham, pp 213–234
    26. ARNDCADDIGANM.SherryTurkle:AloneTogether:WhyWeExpectMorefromTechnologyandLessfromEachOther［ J］． ClinicalSocialWorJournal 2014
    20(1) :5 6
    27. cf. Turkle 2011 on the “robotic moment”
    28. 1 Danaher, John. 2018. “Embracing the Robot.” Aeon https://aeon.co/essays/programmed -to-love-is-a-human-robot-relationship-wrong Accessed March 30, 2018.
    29. Wollstonecraft, Mary. 2009. A Vindication of the Rights of Woman. New York: Norton& Company.
    30. WATKINSOND Sexwithrobotstobe‘thenorm’in50years expertclaims［
    EB/OL］． ．(2015 08 04) ［ 2019 06 06］． https://www mirror co
    uk/news/uk news/sex robots the norm 50 6190575
    31. PEAＲＲSONI TheFutureofSexＲＲeport:TheＲＲiseoftheＲＲobosexuals［Ｒ］．Bondara 2015
    32. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91.
    33. slacoj zizek:Events and Encounters Explain Our fear of Falling in Love,Big Think
    34. Marsilio Ficino, Über die Liebe oder Platons Gastmahl, a.a.O., S.69.
    35. Emmanuel Lévinas, Die Zeit und der Andere, a.a.O., S. 56.
    36. Lee ,Owsianik 2020
    37. Erikson, E. H. (1950). Childhood and society. New York: W. W. Norton & Company
    38. Erikson, E. H. (1968). Identity: Youth and crisis. New York: W. W. Norton & Company.
    39. De Beauvoir, S. (1949). Le Deuxième Sexe [The Second Sex]. Paris: Gallimard.
    40. Cooley, C. H. (1902). Human nature and the social order. American Journal of Sociology.
    41. H·Frankfurt,《愛的理由》（ The Reasons of Love））(Princeton:Princeton University Press,2004),p5。
    42. E·Chowers,《現代自我的迷宮》（ The Modern self in the labyrinth
    Cambridge MA Harvard University Press,2003）。
    43. Briefe Martin Heideggers an seine Frau Elfride 1915-1970,München 2005, S. 264.
    44. Gilles Deleuze / Félix Guattari, Was ist Philosophie?, Frankfurt a.M. 1996, S. 7.
    45. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007).
    46. Martin Heidegger, “The Question Concerning Technology,” in The Question Concerning Technology and Other Essays, trans. William Levitt (New York: Harper Perennial, 1977).
    47. Stanislaw Lem, Summa Technologiae, trans. Joanna Zylinska (University of Minnesota Press, 2014), 129.
    48. Levy, Love and Sex With Robots, 120.
    49. Kevin Warwick,“Alien Encounters,” in Views into the Chinese Room: New Essays on Searle and Artificial Intelligence, ed. John Preston and Mark Bishop (Oxford: Clarendon Press, 2002), 309.
    50. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91.
    51. Nozick, R. (1989). Love's bond. In The examined life: Philosophical meditations (pp. 74-80). Simon and Schuster.
    52. Flisfeder, M., & Burnham, C. (2017). Love and Sex in the Age of Capitalist Realism: On Spike Jonze's Her. Cinema Journal, 57(1), 25-45.
    53. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91.
    54. Jokinen, J. P. P., & Silvennoinen, J. (2020). The Appraisal Theory of Emotion in Human–Computer Interaction.
    55. Turkle, S. (2011). Alone Together: Why We Expect More from Technology and Less from Each Other. Basic Books.
    56. John Searle, Mind: A Brief Introduction, New York: Oxford University Press, 2004, p.161.
    57. García Márquez, G. (1985). El amor en los tiempos del cólera [Love in the Time of Cholera]. Alfred A. Knopf.
    58. Descartes, R. (1641). Meditations on First Philosophy.
    Description: 碩士
    國立政治大學
    數位內容碩士學位學程
    110462020
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0110462020
    Data Type: thesis
    Appears in Collections:[Master`s Program in Digital Content and Technologies] Theses

    Files in This Item:

    File Description SizeFormat
    202001.pdf3496KbAdobe PDF1View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback