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    题名: 黃哲倫《中式英語》裡的語言政治與文化翻譯
    The Politics of Language and Cultural Translation in David Henry Hwang’s Chinglish
    作者: 許玉昕
    Hsu, Yu-Hsin
    贡献者: 姜翠芬
    Jiang, Tsui-Fen
    許玉昕
    Hsu, Yu-Hsin
    关键词: 《中式英語》
    語言政治
    文化翻譯
    現代性
    Chinglish
    language politics
    cultural translation
    modernity
    日期: 2024
    上传时间: 2024-02-01 11:44:24 (UTC+8)
    摘要: 本論文旨在分析黃哲倫《中式英語》中的跨語際與跨文化翻譯。論者已敏銳地指出《中式英語》與《蝴蝶君》在主題上的一脈相承—黃哲論在這兩部劇中皆細緻地處理了中西對抗與文化差異的議題。不過，對文化差異的關注往往預設了一種封閉的文化觀，而忽略了翻譯所扮演的中介作用。有鑒於翻譯是《中 式英語》情節的核心推動力，本論文試圖解析劇中翻譯實踐所涉及的語言政治以及文化認同的形塑。藉由細讀劇中英語與中文的權力張力，以及以無法翻譯的「關係」與「情義」為中心的倫理實踐，本論文主張，劇作家不僅挑戰了當 代英語作為通用語的霸權以及由其所支撐的意識形態，也提出翻譯做為方法， 認識現代中國的複雜性與異質性。
    This thesis examines the translingual and transcultural practices of translation
    depicted in Chinglish. While the critics who draw parallels between M. Butterfly and Chinglish identify culture as a major factor in the misconception and (mis)communication in the two plays, this assertion overlooks the mediative role of translation in articulating cultural identities. Therefore, in lieu of assuming the inherent nature of cultural differences, my approach involves closely examining the process of translation when engaging with Chinglish. This scrutiny revolves around the power struggles between Chinese and English languages, and the varied practices of the concepts of guanxi and qíng yì in the play. As a way of rethinking David Henry Hwang’s ideal of multiculturalism and internationalism in the global framework, my thesis argues that Chinglish not only challenges the hegemony of the English language and values, but also proposes translation as a way to approach the complexity and heterogeneity of modern China.
    參考文獻: Ashcroft, Bill. Post-Colonial Transformation. Routledge, 2001.
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    Healy, Patrick. “Do You Know What I Mean? Probably Not.” The New York Times, 20 Oct. 2011, www.nytimes.com/2011/10/23/theater/david-henry-hwangs- chinglish.html?ref=oembed. Accessed 15 Mar. 2023.
    hooks, bell. “‘This Is the Oppressor’s Language / Yet I Need It to Talk to You’: Language, a place of struggle.” Between Languages and Cultures: Translation and Cross-Cultural Texts, edited by Anuradha Dingwaney and Carol Maier, U of Pittsburgh P, 1995.
    Henry, Eric Steven. “Interpretations of ‘Chinglish’: Native Speakers, Language Learners and the Enregisterment of a Stigmatized Code.” Language in Society, vol. 39, no. 5, Nov. 2010, pp. 669–88.
    Hwang, David Henry. “Stranger Than Fiction.” Newsweek, Apr. 16,
    2012. www.newsweek.com/stranger-fiction-63969. Accessed 15 Mar. 2023.
    -----. Chinglish: A Play. Theatre Communications Group, 2012.
    Johnson, Martha. Performing American Identity: The Plays of David Henry Hwang.
    2017. U of East Anglia, PhD dissertation.
    Kim, Jodi. “The El Dorado of Commerce: China’s Billion Bellies.” Ends of Empire:
    Asian American Critique and the Cold War, NED-New edition, U of Minnesota P,
    2010, pp. 63–94.
    Lei, Daphne Pi-Wei. “Butterfly and Locust: Chinglish and Asian American Theatre in the
    Transnational Context." The Theatre of David Henry Hwang, edited by Esther Kim
    Lee. Methuen Drama, 2015, pp. 152-166.
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    David Henry Hwang. Methuen Drama, 2015, pp.103-123.
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    Modernity—China, 1900-1937. Stanford UP, 1996.
    Marino, Stephen, and David Henry Hwang. “A Conversation With David Henry
    Hwang.” The Arthur Miller Journal, vol. 8, no. 2, 2013, pp. 1–19. Ng, David. “For David Henry Hwang’
    Angeles Times, Feb. 9, 2013. www.latimes.com/entertainment/arts/la-xpm-2013-feb-
    09-la-et-cm-hwang-china-chinglish-20130209-story.html. Accessed 15 Mar. 2023.
    Orenstein, Claudia. “M. Butterfly by David Henry Hwang (review).” Asian Theatre Journal, vol. 35 no. 2, 2018, p. 490-495.
    Polkow, Dennis. “Chinglish Lessons: The Playwright on the Chicago summer of David Henry Hwang.” NewCity Stage, 15 Jun. 2011, www.newcitystage.com/2011/06/15/chinglish-lessons-the-playwright-on-the- chicago-summer-of-david-henry-hwang. Accessed 13 Jun. 2022.
    Qu, Lichen and Christoph Anderl. Research on the Characteristics and Causes of Chinglish. 2023. Ghent U, MA dissertation.
    Raymond, Gerard. “Between East and West: An Interview with David Henry Hwang.” Slant, 28 Oct. 2011, slantmagazine.com/features/between-east-and-west-an- interview-with-david-henry-hwang/ Accessed 13 Jun. 2022.
    Said, Edward W. Orientalism. Penguin Books, 2003.
    Sakai, Naoki. “Civilizational Difference and Criticism: On the Complicity of Globalization and Cultural Nationalism.” Modern Chinese Literature and Culture, vol. 17, no. 1, 2005.
    -----. The End of Pax Americana: The Loss of Empire and Hikikomori Nationalism. Duke UP, 2022.
    -----. Translation and Subjectivity: On Japan and Cultural Nationalism. NED-New edition, vol. 3, U of Minnesota P, 1997.
    Wang, Grace. “‘The Slippery are Very Crafty’: David Henry Hwang’s Chinglish and the Politics of Translation.” Comparative American Studies: An International Journal, vol. 16, no. 3–4, Oct. 2019, pp. 116-128.
    Wolf, Michaela. “A ‘Performative Turn’ in Translation Studies? Reflections from a Sociological Perspective.” TranscUlturAl, 9.1, 2017, pp. 27-44.
    Zamora, Maria C. Nation, Race & History in Asian American Literature. Peter Lang Publishing, Inc., 2008.
    Zechenter, Elizabeth M. “In the Name of Culture: Cultural Relativism and the Abuse of the Individual.” Journal of Anthropological Research, vol. 53, no. 3, 1997, pp. 319– 47.
    Yu Wei-ling 游瑋鈴. Jing jyù wǔ dàn jhih biǎo yǎn yì shù yán jiòu yǐ hóng ciao zèng jhu sin sìh jhou chéng yǔ sìh jhou chéng wéi lì (〈京劇武旦之表演藝術研究-以虹橋贈珠、新泗州城與泗州城為例〉)[Research on Performing Arts of Female Warriors in Chinese Opera—Hongqiao with the Pearl and Sizhou County as
    Example]. 2014. Fo Guang U, MA dissertation.
    描述: 碩士
    國立政治大學
    英國語文學系
    109551008
    資料來源: http://thesis.lib.nccu.edu.tw/record/#G0109551008
    数据类型: thesis
    显示于类别:[英國語文學系] 學位論文

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