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政大機構典藏 > 學術期刊 > 文山評論：文學與文化 THCI Core > 期刊論文 > Item 140.119/149105

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題名:	Queering Cyborg Chronotope: Humanness unraveled in Chi Ta-wei’s The Membranes
作者:	Lee, Ming-che
貢獻者:	文山評論：文學與文化
關鍵詞:	anthrodecentrism;Chi Ta-wei;chronotope;cyborg;posthumanism;queer temporality;The Membranes
日期:	2023-12
上傳時間:	2024-01-05 10:31:52 (UTC+8)
摘要:	Drawing on the concepts of queer temporality, cyborg, and posthumanism with reference to queer inhumanism, this article examines a trans-cyborgized protagonist’s non-linear life splices to unravel humanness within the queered narratives of Chi Ta-wei’s dystopian novella The Membranes, a renowned science fiction produced in 1990s Taiwan that features anthrodecentrism. Unlike the common practice to cripple compulsory heteronormativity, The Membranes imagines a cyberpunk world underpinning cyborg chronology, such that the central figure Momo, a transgender synthesis of a “male human brain” and a fabulated “female cyborg body,” embarks on a self-inquiry journey to situate her fluid, flexible, and unsettled identities, which are obfuscated somewhere between the human brain and a prothesized bodily container. Analyzed in this article is Chi’s existentialist questioning of the hierarchies and default forms of humanhood. The locus of this article, accordingly, is to debunk the deferred, converged chronotope of a transgendered, anthropomorphized cyborg in the sense of Chi’s transqueering posthuman conceptions.
關聯:	文山評論：文學與文化, 17(1), 121-145
資料類型:	article
DOI 連結:	https://doi.org/10.30395/WSR.202312_17(1).0005
DOI:	10.30395/WSR.202312_17(1).0005
顯示於類別:	[文山評論：文學與文化 THCI Core] 期刊論文

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