English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113303/144284 (79%)
Visitors : 50799767      Online Users : 805
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/149092


    Title: 重層的自我影像：抒情傳統與現代媒介
    Mirroring the Self: Chinese Lyrical Tradition and Modern Photography
    Authors: 吳盛青
    Wu, Sheng-qing
    Contributors: 政大中文學報
    Keywords: 自題小照;圖文互動;他者性;自我主體性;視覺性
    Poems on photographs of the self;Ziti xiaozhao;Text/image dynamic;Alterity;Self-subjectivity;Visuality
    Date: 2016-12
    Issue Date: 2024-01-03 13:27:58 (UTC+8)
    Abstract: 本文通過對晚清民國時期「自題小照」寫作的研究，描繪視覺影像與中國本土抒情傳統的對峙共謀、相融相長的錯綜複雜的關係，以及由此而激發出的新的美學意涵。以晚清民國文人詩集（如譚嗣同、康有為、沈曾植、嚴復、秋瑾等）和20 世紀前二十年圖文並刊的大眾雜誌為立論基礎，本文關注如下議題：現代文化人在詩中，如何銘刻這一觀照自我的抒情的瞬間？自題小照，作為歷史久遠的文體，它典律化的抒情與倫理的機制在現代的語境中如何運作？詩人如何理解客觀化的、過去的、多重的自我影像？女性詩人在凝望自我的過程中，如何對傳統性別化的想像進行反撥？這些個人肖像照與題照詩的互動背後的心理與哲學的思辨，亦為我們提供了考察中西視覺文化的相同相異的絕佳場域。
    Extending the tradition of classical-style poems, which are inscribed on or written about paintings of the self in the modern era, this paper delves into the newly formed relationship between the Chinese lyrical tradition and modern photography. It explores the moral implications of this new poetic genre, “poems on photographs of the self” (ziti xiaozhao), and issues of temporality and alterity involved in the confrontation with a self-image. In addition, it examines the photographs of female writers and their understanding of gendered visual selves as well as “costume photographs,” which exhibit multiple ways of imagining the self. Utilizing a significant amount of previously unexamined materials, this paper enriches our understanding of the self/image and text/image dynamic, shedding light on the cultural and affective articulations of the self in the technological era.
    Relation: 政大中文學報, 26, 31-73
    Data Type: article
    Appears in Collections:[政大中文學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML82View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback