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| Title: | 《等妳》劇本創作論述
Writer’s Note on the Film Script Wait for Me |
| Authors: | 陳惟茗 |
| Contributors: | 王亞維
陳惟茗 |
| Keywords: | 電影劇本
女性主義
老少戀
Film Script
Feminism
Chronophilia |
| Date: | 2023 |
| Issue Date: | 2023-09-01 15:42:55 (UTC+8) |
| Abstract: | 《等妳》為電影劇本創作，講述王雅安，一位資深創作歌手，邀請於比賽中獲獎的年輕男歌手林山加入她的音樂公司。雅安於照顧癌末病夫時，仍不自覺地對小她二十餘歲的林山產生了情感。當兩人感情逐漸升溫之刻，被怨懟雅安許久的公司劉副總設計，導致雅安不得不向狗仔支付大筆勒索費，原以為就此平息，然兩人戀情仍被公之於眾，繼女陳冰得知此事後亦憤而離家出走。被社會、家庭、戀情狹圍的中年女子雅安，似乎無法逃離更迭的磨難。
本論文將分為五個章節，前三章記錄了《等妳》劇本的創作初衷、目的、主題研究、前期調查、理論分析以及最初之故事構思。第四章收錄完整的《等妳》對白劇本內容，第五章則整理了創作完成後的試讀反饋意見與學習反思。
The story of "Wait for Me" revolves around Wang Ya`an, a seasoned middle age singer-songwriter, who invites Lin Shan, a young male singer who achieved second place in a singing competition, to join her music company. While taking care of her terminally ill husband, Ya`an unconsciously develops feelings for Lin Shan, who is more than twenty years younger than her. As their relationship blossoms, they become victims of a plot orchestrated by Liu, the vice president of the company, who has harbored resentment towards Ya`an for a long time. Ya`an is forced to pay a large sum of money to the paparazzi to keep their romance secret. However, their love affair is eventually exposed to the public, causing further turmoil. Additionally, Ya`an`s stepdaughter, Chen Bing, discovers the truth and angrily leaves home. Trapped amidst societal, familial, and romantic constraints, Ya`an seems unable to escape the relentless trials and tribulations.
The thesis will be divided into five chapters. The first three chapters document the original intentions, purposes, thematic research, preliminary investigations, theoretical analyses, and initial story concepts of the "Wait for Me" screenplay. The fourth chapter contains the complete dialogue script of "Wait for Me," while the fifth chapter compiles feedback and reflections from the script`s post-reading sessions and learning experiences. |
| Reference: | 中英文書籍
丘光譯（2010）。《帶小狗的女士：契訶夫小說新選新譯》，台北：櫻桃園文化。
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周蔚譯 (2016)。《對白的解剖：跟好萊塢編劇教父學習角色說話的藝術，在已說、未說、不可說之間，強化故事的深度、角色的厚度、風格的魅力》，台北：漫遊者文化。（原書McKee, R. [2021]. Dialogue: The Art of Verbal Action for Page, Stage, and Screen. New York, US: Twelve.）
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張智淵譯（2018）。《失樂園》，台北：時報出版。
曾西霸譯 （2014）。《實用電影編劇技巧》，台北：遠流出版社。（原書Field,S.[1979]. Screenplay: The Foundations of Screenwriting. New York, US: Dell Publishing.）
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英文期刊：
Alarie, M. (2019). “They’re the Ones Chasing the Cougar”: Relationship Formation in the Context of Age-Hypogamous Intimate Relationships. Gender & Society, 33(3), 463–485.
Burke, C. (1981). Irigaray through the Looking Glass. Feminist Studies, 7(2), 288–306.
Creed, B. (1987). From Here to Modernity: Feminism and Postmodernism. Screen, 28(2), 47-68.
Ketchum, S. A. (1980). Female Culture, Womanculture and Conceptual Change: Toward a Philosophy of Women’s Studies. Social Theory and Practice, 6(2), 151–162.
Lodge, A. C., & Umberson, D. (2016). Sexual intimacy in mid- and late-life couples. American Psychological Association.115–134.
Ryan, R. M., & Deci, E. L. (2000). Self-Determination Theory and the Facilitation of Intrinsic Motivation, Social Development, and Well-Being. American Psychologist, 55, 68–78.
Sanchez, L., & Thomson, E. (1997). Becoming Mothers and Fathers: Parenthood, Gender, and the Division of Labor. Gender& Society, 11, 747-772.
Sternberg, R. J., & Kaufman, J. C. (2010). Constraints on Creativity: Obvious and Not So Obvious. The Cambridge Handbook of Creativity, 467-482.
碩博士論文
周楚宜（2019）。《燥眠夜》政治大學傳播學院研究所碩士論文。
陳昱昊（2019）。《獅頭魚》政治大學傳播學院研究所碩士論文。
張慈珉（2020）。《台北女子失戀記事》政治大學傳播學院研究所碩士論文。 |
| Description: | 碩士
國立政治大學
傳播學院傳播碩士學位學程
108464039 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0108464039 |
| Data Type: | thesis |
| Appears in Collections: | [傳播學院傳播碩士學位學程] 學位論文
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