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    Title: 策展最後一哩路:數位整合行銷傳播關鍵因素研究
    The Last Mile of the Curating: Key Factors of Digital Integrated Marketing Communications
    Authors: 余盈婕
    Yu, Ying-Chieh
    Contributors: 鄭自隆
    余盈婕
    Yu, Ying-Chieh
    Keywords: 策展
    數位整合行銷傳播
    修正式德菲法
    因素分析
    factor analysis
    curating
    digital integrated marketing communication
    modified Delphi method
    Date: 2023
    Issue Date: 2023-08-02 14:34:57 (UTC+8)
    Abstract: 在台灣舉辦的藝文展覽活動數量與參與人數逐年增長,如何吸引民眾參加展覽成為策展人需了解的議題。由於當前缺乏展覽開幕後至閉幕期間,進行數位整合行銷傳播參考依據,所以本研究從實務層面進行探討,希望建構藝術類型策展之數位整合行銷傳播關鍵因素,以提供策展人更全面且具體的指標參考,希望提升展覽宣傳效果。
    本研究以藝術類策展之數位整合行銷傳播方式作為研究對象,經由相關文獻綜整,以及修正式德菲法匯集專家意見,最終透過指標分析彙整,建構出藝術類型策展之數位整合行銷傳播關鍵因素。

    研究結果發現,策展數位整合行銷傳播之關鍵因素為:
    1. 整合社群行銷,傳播展覽訊息
    2. 強化「故事」包裝,增加宣傳效果
    3. 增強網路效能,分享活動內容
    4. 舉辦線下活動,增加實質好感
    5. 迎合流行趨勢,提升討論熱度
    6. 完善官網資訊,公告展覽細節
    7. 鎖定適當通路,呼籲觀眾參與
    The quantity and population of exhibitions held in Taiwan are increasing every year. How to attract public participating in the exhibitions has become the issue as necessary for the curators. Since the referential basis over digital integrated marketing communication is deficit during the period from opening to closing of the exhibition by now, it is hoped to provide curators with more comprehensive and physical referential indicators by creating the key factors of digital integrated marketing communication for art exhibitions as to enhance the promotional effects.
    The subject of study is the methods of digital integrated marketing communication for art exhibitions. By using relevant literatures summarization and expert opinions collected via Modified Delphi Method, the key factors of digital integrated marketing communication for art exhibitions are created through final summary of factor analysis.
    According to the study results, the key factors of digital integrated marketing communication for curating are:
    1. Integrate social media marketing to communicate exhibition information
    2. Reinforce “story” package to advance the promotional effects
    3. Improve network efficacy to share content of activities
    4. Organize offline activities to increase preference
    5. Cater to popular trend and increase the heat of discussions
    6. Complete information on official website, announce details of exhibitions
    7. Aim at channels as appropriate and call for the participations of public
    Reference: 一、 中文
    王聖智譯(2017)。《策展人工作指南》。台北:聯灃書報社。(原書 George, A.〔2015〕.The curator’s handbook. New York, NY: WW Norton.)
    古賀太(2021)。《展覽的表裏:解析日本美術館、藝術祭的特色與策展幕後》。台北:麥浩斯
    任西娜、尹晟譯(2015)。《漢斯.烏爾里希.奧布里斯特:策展簡史》。台北:典藏藝術家庭。(原書 Obrist, H. U.〔2008〕.A brief history of curating. Geneva, Switzerland: JRP- Ringier.)
    呂佩怡(2001)。《臺灣當代藝術策展二十年》。台北:典藏藝術家庭
    林平(2013)。《台灣策展生態發展之側視:以國家文藝基金會2004-2011年視覺藝術策展專案為例》。台北:財團法人國家文化藝術基金會
    林祐頡(2016)。《台灣新媒體藝術展演流程研討》。國立政治大學數位內容碩士學位學程碩士論文
    林慧嫻(2003)。〈臺灣博物館與媒體合作的新介面〉,《博物館學季刊》,17: 71-85。
    吳明隆(2009)。《SPSS 操作與應用-問卷統計分析實務》。台北:五南。
    吳孟瑾(2021)。《展演中心行銷策略之探討-以桃園鐵玫瑰藝術節為例》。國立臺灣師範大學藝術學院美術學系,藝術行政暨管理碩士在職專班碩士論文。
    吳貞諭(2020)。《商品文創化經營模式之建構:傳統陶瓷產業之轉型》。私立世新大學公共關係暨廣告學系碩士學位論文。
    吳雅嫻(2015)。《臺灣收費型特展整合行銷策略分析》。國立政治大學商學院企業管理研究所碩士學位論文。
    吳興蘭(2002)。國際展覽行銷策略分析-以交易成本架構。國立政治大學國際貿易學系,碩士論文
    邱宏祥(2015)。《文創會展策展模式與關鍵成功因素之研究-以策展人暨參觀行為觀點探討》。國立臺灣師範大學美術學系博士論文。
    邱盈綺(2017)。《數位虛實整合策展操作效益與策展人特質探究-以創意生活廊道為例》。國立雲林科技大學創意生活設計系碩士論文。
    韋心瀅(1993)。〈「兵馬俑—秦文化」策展論述〉,《歷史博物館學報(19期)》。台北:國立歷史博物館。
    洞田貫 晉一郎(2020)。《直擊!森美術館數位行銷現場》。台北:麥浩斯。
    陳芳玲(2017)。《藝術家作為策展人:紀紐約、許家維、周育正作品的策展意識》。國立臺北藝術大學藝術跨域研究所碩士論文。
    詹話字(2021)。《策展典範的轉移?文化平權趨勢下當代藝術的策展思維與實踐》。國立臺灣藝術大學藝術管理與文化政策研究所博士論文。
    楊淑方(2002)。《內銷行銷消費展之策略研究-以羅浮宮珍藏展、埃及古文明特展為例》。國立政治大學企業管理學系碩士論文。
    鄭自隆(2021)。《DIMC數位整合行銷傳播》。台中:滄海書局。
    鄭自隆(2013)。《公共關係:策略與管理》。台北:前程文化出版社。
    鄭慧華(2012)。〈策展意識與獨立意識–重省台灣策展20年〉,《台灣當代藝術 × 典藏20年》。台北:典藏藝術。
    DMA台灣數位媒體應用行銷協會(2022)。【2021年台灣數位廣告量統計報告】。未出版之統計數據。
    文化部(2023年2月21日)。〈2022全國藝文展演活動統計〉。(表號:11050-00-04)。取自:https://mocfile.moc.gov.tw/files/202303/0e6edc78-a9ae-4b7e-ab00-1abc21c3fda2.pdf
    財團法人台灣網路資訊中心(2022)。【2022台灣網路報告】。未出版之統計數據。〈朗誦/文件:台北雙年展1996-2014〉(無日期)。取自台北雙年展網頁https://www.taipeibiennial.org/TB1996-2014/index.aspx
    植根法律網(1999)。〈行政院文化建設委員會中部辦公室設置要點〉。取自:https://www.rootlaw.com.tw/LawArticle.aspx?LawID=A040260001000600-0880629
    〈國藝會輔助成果檔案庫視學藝術策展專題〉(無日期)。取自國藝會輔助成果檔案庫網頁https://archive.ncafroc.org.tw/curation/intro
    〈常態輔助成果〉(無日期)。取自國藝會輔助成果檔案庫網頁https://archive.ncafroc.org.tw/result/regular/visual_arts/list?itemId=121da347a9b9452c8de93714d803f0ab&page=2

    二、 日文
    美術手帖編集部(2018年12月21日)。〈1位はレアンドロ・エルリッヒ展の61万人。2018年美術展覧会入場者数 TOP10〉,《美術手帖》。取自:https://bijutsutecho.com/magazine/insight/19034
    棚橋源太郎(1930)。《眼に訴へる教育機関》。宝文館。

    三、 英文
    Abbott, R. J. (1997). Art & reality. Santa Ana, CA: Seven Locks Press.
    Altshuler,B. (1994). The avant-garde in exhibition: new art in 20th century. New York,NY: Abrams.
    Blundell, W. E. (1988). The art and craft of feature writing. Based on the wall street journal guide. London, UK: Penguin Publishing Group.
    Brooks, K. W. (1979). Delphi technique: expanding applications. North Central Association Quarterly.
    Daly, C. B. (2018). Covering america. A narrative history of a nation`s journalism. Amherst, MA: University of Massachusetts Press.
    Ferguson, B. W., Greenberg, R., & Nairne, S. (1996). Thinking about exhibitions. London, UK: Routledge
    FitzGerald, M. C. (1996). Making modernism: picasso and the creation of the market for twentieth-century art. Berkeley, CA: University of California Press.
    Gieber, W., & Johnson, W. (1961) The city hall beat: A study of reporters and sources roles. Journalism Quarterly, 38(3), 289-297.
    Hsu, C. C. (2007). The delphi technique: making sense of consensus. Practical Assessment Research & Evaluation, 12(10),1.
    Luke, B., Lee, D., & Silva, J. (2019, March 27). Ranked: the top ten most popular shows in their categories from around the world. The Art Newspaper. Retrieved from https://www.theartnewspaper.com/2019/03/27/ranked-the-top-ten-most-popular-shows-in-their-categories-from-around-the-world
    Murry, J. W., & Hammons, J. O. (1995). Delphi: a versatile methodology for conducting qualitative research. The Review of Higher Education, 18(4)
    O`Neill, P. (2016). The culture of curating and the curating of culture(s). Cambridge MA: MIT Press.
    Rentschler, R. (1999). Innovative arts marketing. New South Wales, Australia: Allen & Unwin.
    Schuster, E. G. (1985). The delphi method: application to elk habitat quality. Washington, DC: U.S. Department of Agriculture.
    Scott, D. M. (2017). The new rules of marketing and PR. New York, NY: Wiley.
    Walsh, K. (1992). The representation of the past: museums and heritage in the post-modern world, London UK: Routledge.
    Waterman, E. (2013.7.8). Curating the Future. Art Hub. Retrieved from https://www.artshub.com.au/news/features/curating-the-future-195766-2307583/
    Williams, G. (2014). How to write about contemporary art. New York, NY: WW Norton
    Ziglio, E., & Adler, M. (1996). Gazing into the oracle: the delphi method and its application to social policy and public health. London, UK: Jessica Kingsley Publishers.
    Description: 碩士
    國立政治大學
    傳播學院碩士在職專班
    108941017
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0108941017
    Data Type: thesis
    Appears in Collections:[EMA Program in Communication] Theses

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