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    Title: 閱聽人對影視跟騷內容浪漫化結構的詮釋與反思—以《當男人戀愛時》為例
    Audiences` Interpretation and Reflection on the Romanticized Structure of Stalking and Harassment Content in Films：Using Man in Love as an Example
    Authors: 葉潔丹
    Yeh, Jie-Dan
    Contributors: 劉慧雯
    Liu, Hui-Wen
    葉潔丹
    Yeh, Jie-Dan
    Keywords: 閱聽人研究
    浪漫愛文本
    跟騷
    結構化理論
    性別腳本
    Audience research
    Romantic film
    Stalking and harassment
    Structuration theory
    Gender scripts
    Date: 2023
    Issue Date: 2023-07-06 16:37:13 (UTC+8)
    Abstract: 對於有些人來說電影中所涉及的跟騷行為是一種「例外」，但對有些人來說卻為惡夢般的日常。浪漫愛流行文本結構中，存在許多涉及跟蹤騷擾的追求行為，而各式閱聽人對於浪漫愛文本中，涉及跟騷行為的追求方式，則呈現明顯態度和詮釋的不同。部分閱聽人傾向將現實生活與虛構文本，切割開來探討，認為如果不如此拍攝，電影劇情即可能相形失色。這種電影「好看的」結構持續影響受訪者，並將其拉回虛構的浪漫愛文本架構中；然亦有閱聽人於文本解讀上，呈現完全對立的詮釋，認為劇中不論在角色的性別刻畫，和前期涉及跟騷的追求行為，皆使她於觀影過程中感到不適。
    而本研究透過深度訪談法，發現跟騷舉止在大眾文本中被合理展示的三種層次：（1）部分閱聽人將電影視為一個特殊文本，並把它囚禁在一有限的範圍內；
    （2）《當男人戀愛時》的文本，透過大量刻畫男主角其良善和孝順的人格特質，進而合理化他的跟騷追求行為；
    （3）《當男人戀愛時》片中將浪漫追求情節幼稚化，進一步使得閱聽人在觀影時，化為母親的角色，並暗示閱聽人必須接納該幼稚行徑。
    For some people, the stalking and harassment involved in the film is an "exception," but for others it is a routine nightmare. The structure of popular romance texts includes many behaviors of pursuit that involve stalking and harassment. There are distinct differences in attitudes and interpretations of stalking and harassment from various audiences of romance texts. Some audiences tend to separate real life from fictional text, arguing that the film`s plot might be overshadowed if it were not filmed in this way. This "enjoyable" structure movies continues to influence the respondents and draw them back into the fictional textual framework of romantic love. On the other hand, some audiences present completely opposing interpretations of the text, saying that the portrayal of the characters` gender and the pursuit of sex in the early stages of the movie make them feel uncomfortable.
    Through in-depth interviews, this study identified three levels of rationalization for the presentation of stalking and harassment in popular texts:
    (1) some audiences saw the film as a special text and confined it to a limited scope;
    (2) the text of Man in Love rationalized the stalking and harassment of the male protagonist by heavily portraying his virtuous and filial personalities;
    (3) Man in Love infantilizes the romantic pursuit, making the audiences assume the role of mothers when watching the film which implies that the audiences must accept the childish behaviors.
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    網路部分：
    〈第60屆聯合國非政府組織婦女地位委員會 （NGO-CSW）暨平行論壇（2016年3月14日）。取自現代婦女基金會網站。網址https://www.38.org.tw/news_detail.asp?mem_auto=185&p_kind=現代消息&p_kind2=媒體報導&p_kind3=無
    〈2018影視廣播產業趨勢研究調查報告─電影產業〉（2020年1月13日）。取自文化部影視及流行音樂產業局網站。網址https://www.bamid.gov.tw/information_243_107704.html
    〈蘋果日報_跟蹤騷擾猶如惡靈纏身　1/8年輕女性遇困擾〉（2017年8月30日）。取自現代婦女基金會網站。網址https://www.38.org.tw/news_detail.asp?mem_auto=269&p_kind=現代消息&p_kind2=媒體報導&p_kind3=無
    〈跟蹤騷擾行為犯罪化及法制化之研析〉（2020年7月27日）。取自立法院網站。網址 https://www.ly.gov.tw/Pages/Detail.aspx?nodeid=6590&pid=197542
    〈被《當男人戀愛時》形塑的「台式浪漫」：都2021年了，跟蹤、堵人真的不浪漫！〉。（2021年4月15日）。取自關鍵評論網網站。網址https://www.thenewslens.com/article/149721

    批踢踢實業坊：
    Movie板 （2021年12月12日）。〈近年台灣賣座愛情電影的主角都是噁男？〉。取自https://disp.cc/b/Movie/epNN
    Gossiping板（2021年5月27日）〈跟騷法6/1上路 內政部：觸法最重關5年〉。取自https://www.ptt.cc/bbs/Gossiping/M.1653590393.A.D19.html

    臉書：
    愛心理–探索心理認識自己的最佳平台（2021年11月7日）。〈是浪漫還是糾纏？《當男人戀愛時》三種把妹地雷〉。取自https://m.facebook.com/iGoddness/posts/2389908341140093

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    Description: 碩士
    國立政治大學
    傳播學院傳播碩士學位學程
    110464012
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0110464012
    Data Type: thesis
    Appears in Collections:[Master`s Program in Communication] Theses

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