English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50914011      Online Users : 548
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/143234


    Title: 從錯誤的共在中分離：阿多諾論電影作為社會啟蒙的媒介
    Adorno on Film as a Medium of Social Enlightenment
    Authors: 羅名珍
    Lo, Ming-Chen
    Contributors: 政治大學哲學學報
    Keywords: 阿多諾;文化工業;電影;班雅明;精神分析;認同
    Adorno;culture industry;film;Benjamin;psychoanalysis;identification
    Date: 2023-01
    Issue Date: 2023-02-06 09:10:53 (UTC+8)
    Abstract: 一向以來普遍認為阿多諾對文化工業提出銳利而全面的批評，但卻並未提出任何克服此弊端之積極建議。本文將指出，阿多諾思想中實有著一道企圖由文化工業內部矯正文化工業弊病的積極思路，迄今未被恰適理解：阿多諾在文化工業的一個主要分支中——亦即電影——見到其作為社會啟蒙媒介之潛能。阿多諾是以一種隱而不顯的方式，交錯融會了班雅明的「散心分神」概念與佛洛依德的「認同」理論，在此基礎上探究娛樂中的電影觀眾之潛意識需求及其轉化可能。重構此兩道理論脈絡並闡明其內在關連，將可使我們見到阿多諾在《為電影作曲》中所構思的，乃是以電影內不同媒介間的張力創造一種筆者稱之為「從錯誤共在中分離」的內在經驗，其足以強化群眾的心智能力而有益於社會啟蒙。
    It is widely believed that Adorno offers a radical critique of culture industry without offering possible methods for building a rational alternative. In this paper, I will argue that the goal of building a “rational mass” is a constituent part of his project of social education. Drawing on Adorno`s psychoanalytical reception of Freud’s theory of identification and his reflections on Walter Benjamin’s insights into the educational potential of film, I will show that for Adorno the culture industry is not merely engaged in “mass deception”, but also embodies an incorrect model for regulating the inner dynamic of the masses. Adorno thus transforms Freud’s analysis of mass-psychology and weaves it into his own analysis of culture industry. This combination illuminates a long-neglected project of Adorno’s involving the use of commercial film as a medium for strengthening the psychological capacity of the masses.
    Relation: 政治大學哲學學報, 49, 37-88
    Data Type: article
    DOI 連結: https://doi.org/10.30393/TNCUP.202301_(49).0002
    DOI: 10.30393/TNCUP.202301_(49).0002
    Appears in Collections:[政治大學哲學學報 THCI Core] 期刊論文

    Files in This Item:

    File SizeFormat
    49-2.pdf1321KbAdobe PDF2101View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback