政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/142606
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113485/144472 (79%)
造访人次 : 51389756      在线人数 : 612
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/142606


    题名: 疲竭之愛：李箱與翁鬧作品中的現代愛，及其不滿
    Exhausted Love: Modern Love and Its Discontents in Yi Sang and Weng Nao`s Novels
    作者: 陳佩甄
    Chen, Pei-jean
    贡献者: 台文所
    关键词: 浪漫愛;殖民現代性;性別;李箱;翁鬧
    Romantic love;Colonial modernity;Sexuality;Yi Sang;Weng Nao
    日期: 2022-06
    上传时间: 2022-12-02 15:10:45 (UTC+8)
    摘要: 本文聚焦討論台韓殖民日常政治中的矛盾性，此矛盾性體現於現代愛追求過程中永恆的挫敗與耗費，我將之稱為「疲竭之愛」。二十世紀初期東亞各地出現了大量的戀愛論述，將現代愛的各種概念創造、翻譯、轉化進入在地文化實踐中，並據此建構現代個人主體。殖民知識分子圍繞「愛」這一主題生產的諸多論述，更反映了現代文明與殖民現代性的複雜問題。美國人類學家伊麗莎白．普維內利（2006）曾以「親密事件」命名殖民情境中的規範性力量；殖民者與被殖民者之間的關係，乃是透過愛的論述，重新調整這些場域、模糊地域和關係的界線。據此，本文將在論文前半分析台韓殖民文學中「愛」的制度化、及其中反思殖民現代性的傾向，後半特別聚焦討論翁鬧的〈天亮前的愛情故事〉與李箱的〈翅膀〉。這兩篇小說皆發表於日本皇民化政策實施與戰時總動員前夕，並被視為是現代主義的高峰期作品；且這兩篇小說的作者背景、歷史時空、獨白敘事、戀愛主題有著高度的同質性，可視為台韓被分隔為殖民地的情境下，仍可透過反思被殖民與反殖民的經驗進而互為參照的例子。再者，本文認為小說中共同展現的與「非典型」女性的親密關係、與被殖民者的都市經驗，在在揭示了現代主體的殖民矛盾性。小說主角們耗盡力氣追尋的理想之愛、錯認的親密關係，反映的是被殖民主體窮盡自身現代化的可能性，亦同時挑戰了現代性內部的矛盾、及其隱含的帝國主義內涵。
    This paper seeks to examine the colonial ambivalence that embodied in the pursuing of modern love and represented as what I term the ＂exhausted love＂ in the colonial daily life of Taiwan and Korea. The discourses on love were explosively produced in the early 20^(th) Century East Asia; conceptions of modern love were created, transformed, and translated into local cultural practices in an effort to modernize the individuals. The writings and columns encompassed free love, marriage, and sexual issues by local intellectuals demonstrate the specificity of interior modernization and addresses complex issues of colonial modernity. However, the modern love is represented as what Elizabeth Povinelli (2006) terms ＂the intimate event＂ as a powerful regulative ideal, functions in the colonial situation by tracing how the conceptions of love are produced in the intersection of individual freedom and social bondage. Against this backdrop, this paper focuses on love which fetishized and commodified in/with the literary works and intersected with the (anti-) modern consumption culture. The two novellas that will be examined in this paper-＂A Love Story Before Dawn＂ by Weng Nao and ＂The Wings＂ by Yi Sang-were written and published right before Japan`s acceleration of assimilation policy and total war mobilization starting in 1937, and are often regarded as the pinnacle of modernist colonial fiction. These two novellas are narrated through monologues, and best represent the ambivalence of modern individual subjects, who exhausted the possibility of love (the symbol of civilization), as well as the narrative (means of self-representation). As this paper argues, the love of exhaustion is a sign for the reflective thinking on colonial modernity. The colonized exhausted the form and material of being modern, and these experiences of the colonial subjects resulted in a challenge to modernity and its imperialist ideology.
    關聯: 台灣文學學報, No.40, pp.35-67
    数据类型: article
    DOI 連結: https://doi.org/10.30381/BTL.202206_(40).0002
    DOI: 10.30381/BTL.202206_(40).0002
    显示于类别:[臺灣文學研究所] 期刊論文
    [臺灣文學學報 THCI Core] 期刊論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML2237检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈