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龔卓軍,《身體部署|梅洛龐蒂與現象學之後》(台北:心靈工坊文化,2006)
奎格・史蒂芬森著,吳菲菲譯,《附身:榮格的比較心靈解剖學》(台北市:心靈工坊,2017)
米蘭・昆德拉著,尉遲秀譯,《生命中不可承受之輕》(臺北市:皇冠,2004)
加布列・賈西亞・馬奎斯著,葉淑吟譯,《關於愛與其他惡魔》(臺北市:皇冠,2018)
朱爾・米榭勒著,張穎綺譯,《女巫》(新北市:立緒,民101)
尚—保羅・沙特著,陳宣良等譯,《存在與虛無》(新北市:左岸文化出版,遠足文化發行,2012)
笛卡爾著,龐景仁譯,《第一哲學沈思集》(商務印書館,2016)
莫里斯・梅洛龐蒂著,龔卓軍譯(台北市:典藏藝術家庭,2007)
尚・拉普朗虛、賽基・勒克萊著,沈志中譯,《幻想與無意識》,〈無意識:精神分析研究〉(台北:行人,2016)
沈志中,《瘖啞與傾聽:精神分析早期歷史研究》(台北:行人,2009)
佛洛依德著,林怡青、許欣偉譯,《鼠人:強迫官能症案例之摘錄》(台北市:心靈工坊,2006)
劉紀蕙,〈從海德格到拉岡:話語邏輯與主體的出現〉(2009)
克里斯多福・威廉斯著,甘錫安譯,《形式的起源》(台北市:臉譜、城邦文化出版,2015)
尼采著,余鴻榮等譯,《查拉圖斯特拉如是說》(台北市:志文,2001)
米歇爾・歐匹茲文,塔米爾、王延博譯,《流動的神話:盲國薩滿電影手冊》(台北市:行人文化實驗室,2019)
《後戲劇劇場》,漢斯-蒂斯・雷曼著,李亦男譯。(台北市,黑眼睛文化事業有限公司,2021)
《釀電影|我的未來不是人》,頁56-61(有內容有限公司,2021)
堀田由美原作,小畑健作畫,《棋靈王》,集英社,1999-2003
諫山創,《進擊的巨人》,講談社,2009年9月至2021年4月
冨樫義博,《Hunter x Hunter》,集英社,《週刊少年Jump》,1998—
五十嵐大介著,黃鴻硯譯,《魔女》(臉譜文化,2021)
影像作品:
Alain Resnais, Hiroshima mon Amour, 1959
John Cassavetes, Opening Night, 1977
濱口 竜介,ドライブ・マイ・カー,2021
りんたろう導演,おおとも かつひろ編劇,《大都會》(大都會製作委員會、東寶株式會社、萬代影視、MADHOUSE,2001發行)(原著てづか おさむ《大都會》)
米歇爾・歐匹茲導演,《盲國薩滿》(台北市:行人文化實驗室,2019發行) |