政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/138988
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113485/144472 (79%)
造访人次 : 51389808      在线人数 : 101
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/138988


    题名: 鋼管舞、女性特質與身體展演
    Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study
    作者: 米奧莉
    Mikhailova, Olga
    贡献者: 關秉寅
    Kuan, Ping-Yin
    米奧莉
    Olga Mikhailova
    关键词: 鋼管舞
    身體美感
    體現
    賦權
    脫衣舞文化
    花車秀
    Pole Dancing
    Bodily Performance
    Embodiment
    Empowerment
    Striptease Culture
    Flower Truck Shows
    日期: 2021
    上传时间: 2022-02-10 13:18:31 (UTC+8)
    摘要: 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物,然而,隨著鋼管舞在世界各地越來越流行,探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。
    通過理論實證及採訪,本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗,並將研究結果與在西方進行相關研究中的觀察進行了比較。
    增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明,與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而,同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角,並激發未來研究的多元方向。
    This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts.
    Through empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West.
    The sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice.
    The results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research.
    參考文獻: Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94.
    Associated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272
    Bacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209.
    Banes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge.
    Berson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press.
    Britannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota
    Chen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119.
    Chen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University.
    Chuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University.
    Coakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill.
    Cromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89
    Davis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press.
    Davies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53.
    Dines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press.
    Dimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51.
    Dolan, J. (2010). Theatre and Sexuality. Red Globe Press.
    Emirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023.
    ETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎!台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm
    Exotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/
    Fennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73.
    Focus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016
    Fredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206.
    Gaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010
    Giddens, A. (1993). The Transformation of Intimacy. Polity Press.
    Gill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6.
    Grace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/
    Griffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge.
    Hanna, J. L. (2012). The Naked Truth: Strip Clubs, Democracy and a Christian Right. University of Texas Press.
    Hanna, J. L. (2017). Dancing to Resist, Reduce, and Escape Stress. The Oxford Handbook of Dance and Wellbeing. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199949298.001.0001/oxfordhb-9780199949298-e-5
    Harvey, L. (2011). Spicing it Up: Sexual Entrepreneurs and the Sex Inspectors. In R. Gill & C. Scharff (Eds.), New Femininities. Postfeminism, Neoliberalism and Subjectivity. Palgrave Macmillan.
    Ho, J. (2000). Self-empowerment and ‘Professionalism’: Conversations with Taiwanese Sex Workers. Inter-Asia Cultural Studies, 1:2, 283-299.
    Ho, J. (2001). Sex, Power and the Erotic Dance Pubs of Taiwan: A field Observation. A Radical Quarterly in Social Studies, 44, 167-199.
    Holic G. (2015). RenqibuluokeGinadainilaitiyanliyumeijiehedegangguanwukecheng (人氣部落客Gina帶你來體驗力與美結合的鋼管舞課程!). Marrie Claire. https://www.marieclaire.com.tw/lifestyle/news/18145?atcr=13e30b
    Holland, S. (2010). Pole Dancing, Empowerment and Embodiment. Springer.
    Huang, C. (2011). Research of the Visual Style of Taike Culture [Master’s thesis]. National Taichung Institute of Technology. http://dx.doi.org/10.6826/NUTC.2011.00015
    International Pole Sports Federation (2018). IPSF Code of Points. http://www.polesports.org/about-us/document-policies/
    Jiangzi (2020). Yigengangguanyanghuayijiawukou! Dianzihuachequanjinjiaomiaohuinushengcengtu0gangguanwuzhi lianchudapianyuqing! (一根鋼管養活一家五口 ! 電子花車千金教廟會女神曾甜鋼管舞技 練出大片瘀青!) [Video]. https://www.youtube.com/watch?v=EdUolZFiK4c&t=1648s
    Kaschak, E. (1992). Engendered Lives: A New Psychology of Women’s Experience. Basic Books, Inc. Publishers.
    Kim, Y., Kwon, S. (2019). “I’m a Poler, and Proud of It”: South Korean Women’s Managed Experiences in a Stigmatized Serious Leisure Activity. Social Sciences, 8, 199.
    Keft-Kennedy, V. (2010), “How Does She Do That?” Belly Dancing and the Horror of a Flexible Woman, Women’s Studies, 32: 3-3, 279-300.
    Keft-Kennedy, V. (2013). Belly Dance and the “How-To” Phenomenon: Feminism, Fitness and Orientalism. Belly Dance Around the World: New Communities, Performance and Identity. McFarland and Company, Inc.
    Li, S. L. (2003). Cross-Dressing in Chinese Opera. Hong Kong University Press.
    LiTV (2019). Quanliquankai: xinggangangguanzhangbasai (全力全開:性感鋼管爭霸賽). Retrieved from: https://www.litv.tv/vod/show/content.do?content_id=VOD00154360
    Levy, A. (2006). Female Chauvinist Pigs: Women and the Rise of Raunch Culture. Free Press.
    Moscowitz, M. (2020). Dancning for the Dead: Duneral Strippers in Taiwan. [Video]. https://www.youtube.com/watch?v=ZCRmmSdYwDc
    Nicholas, J. C., Dimmock, J. A., Donnelly, C. J., Alderson, J. A., Jackson, B. (2018). “It’s Our Little Secret: An In-Group, Where Everyone’s In”: Females’ Motives for Participation in a Stigmatized Form of Physical Activity, Psychology of Sport and Exercise, 36, 104–13.
    McNair, B. (2002). Striptease Culture. Sex, Media and Democratization of Desire. Routledge.
    Noll, s. M., Fredrickson, B. L. (1998). A Mediational Model Linking Self-Objectification, Body Shame, and Disordered Eating. Psychology of Women Quarterly, 22, 623-636.
    Pellizzer, M., Tiggemann, M., & Clark, L. (2016) Enjoyment of Sexualization and Positive Body Image in Recreational Pole Dancers and University Students. Sex Roles, 74, 35-45.
    PoleCon International (2021). What is PoleCon? https://poleconvention.com/
    Ray, P. L. (2021). Pole styles: Stripper/Exotic/Classique - What’s the Difference. https://www.polewithpeach.com/blog/pole-styles-stripper-exotic-classique-difference/
    Savigliano, M. E. (1995). Tango and Political Economy of Passion. Westview Press.
    Sports of India (2021). Mallakhamb. http://sports.indiapress.org/mallakhamb.php
    Shay, A., Sellers-Yong, B. (2005). Introduction. Belly Dance: Orientalism, Transnationalism, and Harem Fantasy (First Edition). Mazda Publishers
    Shteir, R. (2004). Striptease: The Untold History of the Girlie Show. Oxford University Press.
    Srinivasan, A. (2021). Who Lost the Sex Wars? The New Yorker. https://www.newyorker.com/magazine/2021/09/13/who-lost-the-sex-wars
    The Fitness Network (2021). Take a Chance on Pole Dance. https://thefitnessnetwork.org/why-pole-dancing-represents-such-a-huge-opportunity-for-gyms/
    Thomas, H. (2003). The Body, Dance and Cultural Theory. Palgrave Macmillan.
    Topend Sports (2021). Pole Sport (“Pole Dancing”). https://www.topendsports.com/sport/list/pole-dancing.htm
    Tsai, V. (1994). A Go-Go to Go: Taiwan’s Flower Truck Shows. https://www.taiwan-panorama.com.tw/Articles/Details?Guid=f97ee8c8-7706-4411-866b-cef7f2b76864&langId=3&CatId=8
    Traunter, M. N. (2005). Doing Gender, Doing Class. The Performance of Sexuality in Exotic Dance Clubs. Gender and Society, 19:6, 771-788.
    Tuzi, G. (2017). The Voladores (Pole Flying) Ceremony. https://www.mexicolore.co.uk/aztecs/home/the-voladores-ceremony
    Vance, C. (1984). Pleasure and Danger: Exploring Female Sexuality. Routledge.
    Velija, P., Mierzwinski, M., Fortune, L. (2012). ‘It Made Me Feel Powerful’: Women’s Gendered Embodiment and Physical Empowerment in the Martial Arts. Leisure Studies, 32:5, 524-541.
    Wan Z. (2021). Cengshitainanniurouchangyanchushouxuan! Qingliangdeqingsegewuxu rangjinrixiyuanchengguoshengshengyicandandeniandai. (曾是台南牛肉場演出首選!清涼的情色歌舞秀 讓今日戲院撐過生意慘淡的年代). https://www.upmedia.mg/news_info.php?SerialNo=109202&fbclid=IwAR1293BedQuJHyNGpaQOtNTqKMRnW9gEhySdHCOQfb1uRnwm1CBk_F9tdcQ
    Weaving, C. (2020). Sliding Up and Down a Glory Pole: Pole Dancing and the Olympic Games. Sport, Ethics and Philosophy, 14(12), 1-12.
    Wu, M. (2006). Hofstede’s Cultural Dimensions 30 Years Later: A Study of Taiwan and the United States. Intercultural Communication Studies, 15: 1, 2006.
    Wilkins, A. C. (2004). “So Full of Myself as a Chick”: Goth Women, Sexual Independence, and Gender Egalitarianism. Gender and Society, 18, 328-49.
    Rief, S. (2009). Club Cultures: Boundaries, Identities, and Otherness. Routledge.
    Roth, A., Basow, S. A. (2004). Femininity, Sports, and Feminism: Developing a Theory of Physical Liberation. Journal of Sport and Social Issues, 28:3, 245-265.
    Wise, V. (2021). What Type of Pole Dancing is your Love Match? https://www.verticalwise.com/types-of-pole-dancing/
    描述: 碩士
    國立政治大學
    亞太研究英語碩士學位學程(IMAS)
    107926022
    資料來源: http://thesis.lib.nccu.edu.tw/record/#G0107926022
    数据类型: thesis
    DOI: 10.6814/NCCU202200119
    显示于类别:[亞太研究英語博/碩士學位學程(IDAS/IMAS)] 學位論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    602201.pdf957KbAdobe PDF270检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈