English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50917366      Online Users : 923
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/138099


    Title: The Idea of Sacredness in Yang Mu`s Hua-lien Poems
    楊牧花蓮歷史和神話中的神聖性
    Authors: 利文祺
    Li, Wen-Chi
    Contributors: 臺灣文學學報
    Keywords: Yang Mu; Hua-lien; the sacred and the profane; topophilia; topographical poetry; Indigenous Peoples 
    楊牧; 花蓮; 聖與俗; 戀地情節; 地誌詩; 原住民
    Date: 2021-06
    Issue Date: 2021-12-06 15:50:32 (UTC+8)
    Abstract: This thesis examines how Yang Mu enriches the story of his hometown with mythic content and retells Indigenous history in an animistic way. He sees Hua-lien as a source of everything, and as a place where the god of Mount Papaya, the goddess of Li-wu Stream, and the god of the Pacific Ocean appear. Moreover, a sense of topophilia leads Yang to include the Indigenous story of the Kaliawan Incident (加禮宛戰役). He imagines himself as a young Indigenous fighter who, after the massacre, dies and still haunts the battlefield. What he sees is not merely an objective outer world, but also a world with spiritual plants, animals, and rocks. If China tends to create a discourse that sees itself as central and differentiates its surrounding regions by decreasing values, Yang Mu`s local and supernatural poems demonstrate a focal transition to Taiwan and a refusal to accept Chinese totality.
    楊牧的作品中常出現花蓮意象，陳芳明認為是「花蓮情結」的展現。陳義芝提出「花蓮語境」，強調花蓮的情感認同。吳潛誠以西方傳統的「地誌詩」（topographical poetry）出發，認為花蓮詩歌是一場歷史回顧的精神之旅。曾珍珍更以同樣的「地誌」觀念，指出楊牧以台灣的邊緣為依據，挑戰中國的中心地位。在先行觀點的支持下，我想指出一種更深入的精神面向，即這些詩歌呼應了伊利亞德（Mircea Eliade）的「聖與俗」和段義孚的「戀地情節」（topophilia）。伊利亞德認為人們常將自己的居住地視為「世界中心」，並以此發展出異質的空間概念：此地是神聖的，充滿神話傳說，並安全的，而彼處是未知 ; 混沌 ; 危險。段義孚亦提出類似的概念，並認為中國的「中原」和「天下」的概念由此出發。楊牧的花蓮詩即銘刻了此種宗教情懷。他以創世和世界父母（world parents）的神話觀書寫〈帶你回花蓮〉，並在〈花蓮〉 ; 〈俯視〉 ; 〈仰望〉刻劃三種神祇：太平洋海神 ; 立霧溪女神 ; 木瓜山之神。他也重訪了神聖卻又悲傷的加禮宛戰役，寫下〈佐倉：薩孤肋〉，並以鬧鬼（haunted）的方式書寫原住民青年在被漢人殺害後，卻又徘徊在森林之中，以為戰役並未開始。〈沙婆礑〉 ; 〈池南荖溪一〉 ; 〈池南荖溪二〉，用了大量的泛靈觀點來看待重構原住民的早期生活。
    Relation: 臺灣文學學報, 38, 109-138
    Data Type: article
    DOI link: https://doi.org/10.30381/BTL.202106_(38).0004
    DOI: 10.30381/BTL.202106_(38).0004
    Appears in Collections:[Bulletin of Taiwanese Literature] Journal Articles

    Files in This Item:

    File Description SizeFormat
    381.pdf2154KbAdobe PDF2217View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback