政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/138091
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113318/144297 (79%)
Visitors : 50999998      Online Users : 893
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/138091


    Title: 敘述的抽象化：論楊牧詩
    Abstraction in Narrative On Yang Mu`s Poems
    Authors: 鄭慧如
    Cheng, Hui-Ju
    Contributors: 臺灣文學學報
    Keywords: 楊牧; 敘述性; 抽象化; 詩 
    Yang Mu; narrative; abstraction; poems
    Date: 2020-12
    Issue Date: 2021-12-06 15:47:40 (UTC+8)
    Abstract: 「抽象的具象化」長期以來是研究者觀察詩人創作手法的要素。而楊牧一門獨闢，以抽象化的敘述，將個人的詩創作上接年輕時作品中的前生來世 ; 迢遙幻境，下啟自己中 ; 晚年詩作的終極關懷 ; 哲學論辯。詩的「敘述性」，要義在於詩人在敘述表現上的特質。討論詩作的「敘述性」，含括詩人如何藉由場景描寫 ; 敘述節奏，或心理闡發，在「說什麼」和「如何說」之間，或體現一種集體突圍，或表現面對生存的姿態。「敘述」無法外於「故事」，然而掌握敘述基調 ; 吐露弦外之音，總在「故事」之上，產生豐厚的感知效果。本文就「聲音布置」 ; 「互文」 ; 「戲劇性再現」三方面，討論楊牧詩中以物事典故為背景的抽象敘述。
    ＂Concretization of abstraction＂ has been used to examine poets` skill and technique. Yang Mu, however, distinguishes himself by the use of abstraction. His abstraction in narrative links the subjects of ＂afterlife＂ and reincarnation in the works of his earlier periods with the ultimate concern and philosophical meditation in the works of his late period. The focal point of poetical narrative reflects the poet`s individual vision. This paper will discuss how Yang Mu depicts the scenes, delves into the psychological depth and treats the narrative ＂tempo＂ as expressed in ＂how＂ and ＂what＂. With these aspects explored, the being of the poet is approximated. Although ＂narrative＂ rarely exists outside the story, and yet the overtone of narrative is superimposed upon the ＂story＂ and sounds in rich resonance. This paper will focus on ＂the display of sound,＂ the intertextuality and the dramatic recurrence in Yang-mu`s abstract narration of the specific stories and events.
    Relation: 臺灣文學學報, 37, 37-68
    Data Type: article
    DOI link: https://doi.org/10.30381/BTL.202012_(37).0002
    DOI: 10.30381/BTL.202012_(37).0002
    Appears in Collections:[Bulletin of Taiwanese Literature] Journal Articles

    Files in This Item:

    File Description SizeFormat
    373.pdf2746KbAdobe PDF2150View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback