English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50916899      Online Users : 856
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/138090


    Title: 鐫琢之名：楊牧詩中的希臘與羅馬
    Names Deeply Chiseled: Greco-Roman Motifs in Yang Mu`s Poetry
    Authors: 奚密
    Yeh, Michelle
    Contributors: 臺灣文學學報
    Keywords: 希臘 ; 羅馬; 史詩; 浪漫主義; 現代主義; 同時性; 跨文化互文性; 創造性改寫 
    Greece; Rome; epic; Romanticism; Modernism; contemporaneity; cross-cultural intertextuality; creative rewriting
    Date: 2020-12
    Issue Date: 2021-12-06 15:47:05 (UTC+8)
    Abstract: 迄今為止，「楊牧學」不乏對中國古典文學及英國浪漫主義的研究，然而希臘羅馬並沒有得到全面或深入的關注。本文探討希臘羅馬古典文學在楊牧詩及詩學中的重要意義。在綜述了學者楊牧與西方古典傳統相關的論述之後，本文按時間順序分析五首最具代表性的詩作：〈給雅典娜〉 ; 〈味吉爾〉 ; 〈平達耳作誦〉 ; 〈希臘〉和〈歲末觀但丁〉。楊牧對希臘羅馬材料的創造性運用可以歸納為兩類。第一，改寫傳統裡被邊緣化或定型的角色 ; 在此意義上，詩人的古典新解是一種現代主義式的批判和顛覆。第二，詩人巧妙地將中國文學文化傳統融入希臘羅馬材料，發揮了跨文化互文性的作用。作為一位擁有深厚中西學養的學者和詩人，楊牧呈現的中西古今「同時性」正是艾略特所說的現代主義式的「歷史感」。
    Thus far, the study of Yang Mu has paid much attention to the relations between his work and Chinese classics on the one hand, and English Romanticism on the other. However, ancient Greek and Romanliterature is relatively understudied. This paper examines the significance of Greco-Roman materials in the poetry and poetics of Yang Mu. Following an overview of Yang`s scholarship related to the Western classical tradition, the article focuses on five representative poems in chronological order: ＂To Athena,＂ ＂Virgil,＂ ＂Pindar`s Ode,＂ ＂Greece,＂ and ＂Reading Dante at Year`s End.＂ Yang`s creative appropriations of Greco-Roman materials fall into two categories: 1. rewriting characters that are traditionally marginalized or stereotyped, which constitutes a form of Modernist critique and deconstruction ; and 2. skillful integration of Chinese literature and culture into Greco-Roman materials, which is a kind of cross-cultural intertextuality. As a scholar and poet well versed in Chinese and Western literary traditions, Yang Mu displays a contemporaneity that evokes the Modernist sense of history that T.S. Eliot theorized.
    Relation: 臺灣文學學報, 37, 3-35
    Data Type: article
    DOI 連結: https://doi.org/10.30381/BTL.202012_(37).0001
    DOI: 10.30381/BTL.202012_(37).0001
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    372.pdf2797KbAdobe PDF2301View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback