政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/133266
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113325/144300 (79%)
造訪人次 : 51174784      線上人數 : 916
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋
    政大機構典藏 > 傳播學院 > 新聞學系 > 會議論文 >  Item 140.119/133266


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/133266


    題名: 瞬間的永恆? 法蘭克福學派觀點論紀實攝影
    Capture the Moment? — Perspectives on Documentary Photography by the Frankfurt School’s theoretical approach
    作者: 區國強
    Au, Kwok-Keung
    貢獻者: 新聞學系
    關鍵詞: 新聞攝影;紀實攝影;法蘭克福學派;新紀實;攝影認識論
    Photojournalism;Documentary Photography;New Documentary;Epistemology of Photography;Frankfurt School
    日期: 2015-07
    上傳時間: 2020-12-22 16:27:53 (UTC+8)
    摘要: 攝影能提供什麼有關現實之知識？如何讓觀看者更理解現實？影像與現實之間的關係又為何？本文以法蘭克福學派作為理論資源，並以「新紀實」類型作為探討對象，提出「再現」之外另一種以「認識」為目的之紀實攝影理論與實踐。該方式跳脫一般紀實攝影將照片作為「證據」之框限與「決定性瞬間」之標準，要求攝影者透過攝影影像拉開觀看者與現實之間的距離，打斷與現實之間的日常關係，而以採用質疑或否定之角度來思考現實、反思自身，把「現存的（現實）」視作「尚未（完成）的」。本文認為，紀實攝影的「美學」議題也是攝影認識論的問題；而知識社會學理論可作為紀實攝影認識論之對話對象，並幫助攝影研究者與實踐者釐清個人、攝影、觀眾，與現實之間的距離和關係。
    What kind of knowledge about reality can documentary photographic image provide? How can photographers do to give viewers better understanding of the world? With critical approach of the Frankfurt School, this article discusses New Documentary tradition in photography and the relationship between photographic image and reality. The article states that the ‘representative’ function of photography can be replaced by ‘understanding’ one. To give viewers deeper understanding of the reality, photographers of New Documentary went beyond the limit of photographic image as evidence and the aesthetics of ‘decisive moment’; Instead, they used photography as tool to defamiliarize the viewers’ knowledge about the ‘existed’ world and the way they used to think about reality. The article regarded aesthetic theories of the Frankfurt School as valuable source in helping theorist as well as photographer to assess practices of documentary photography and to start dialogue between social theories and epistemology of photography.
    關聯: 2015中華傳播年會, 中華傳播學會
    資料類型: conference
    顯示於類別:[新聞學系] 會議論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    index.html0KbHTML2211檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋