 |
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113485/144472 (79%)
Visitors : 51390168
Online Users : 716
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/132848
|
| Title: | 觸君父的至德元帥：論太歲神殷郊的形象問題
The Prime Marshal of Utmost Virtue Who Accosted His Sovereign and Father: On the Visual Representations of Yin Jiao, Star God Presiding Over the Year |
| Authors: | 王坤利
Wang, Koon Lee Dean |
| Contributors: | 華人宗教研究 |
| Keywords: | 殷郊 ; 太歲 ; 宗教與文學 ; 宗教競爭 ; 視覺文化
Yin Jiao ; Tai Sui ; religion & literature ; religious competition ; visual culture |
| Date: | 2018-07 |
| Issue Date: | 2020-11-24 16:30:32 (UTC+8) |
| Abstract: | 太歲神是華人信仰當中的重要神祗之一，在宋代便被諸道派人格化並起名為殷郊。除了道教典籍，殷郊也出現在多部文學作品中，且形象更是多變。在西方宗教學界，視覺文化近期再度受到關注，一些學者也提倡促進視覺文化研究與宗教研究之間的對話。反觀華人宗教學界，由於長期著重文本與儀式的研究，對於神明的形象問題則有所忽略，而殷郊信仰便是其中一例。實際上，涉及到殷郊信仰的論著並不乏，但是關於其形象與接受的問題則有待進一步研究。有鑒於此，本文旨在通過分析宗教文本和文學文本中的殷郊形象，以此探討神明形象變遷所反映出的宗教形態。本文主張，神明的形象塑造不僅是宗教與文學的互動結果的具體表現，也是宗教競爭的產物之一。學者若欲還原這類互動和競爭關系，則需分別對於神明的稱謂、面貌特徵及配備器具三大要素進行考古和考證。
Tai Sui is a major deity within the complex of Chinese popular religious beliefs that was personified by the various Daoist ritual lineages in the Song dynasty and was given the title Yin Jiao. Outside of Daoist canonical works, Yin Jiao also appears in many literary works, where visual representations of the god are even more varied. In western religious studies, visual culture is again receiving much attention in recent years, with some scholars advocating further dialogue between research in visual culture and religious studies. However, in Chinese academic circles, because of the long-term research focus on texts and ritual, the question of visual representations of deities has been neglected to some extent; depictions of Yin Jiao are no exception. In fact, this issue involves the many written works concerning Yin Jiao beliefs; however, on the questions related to representations and their reception, further work remains to be done. In light of these issues, this paper aims to explore those religious elements reflected by the changes in images of gods through an analysis of Yin Jiao`s representations in religious texts and literature. In this article, I argue that the portrayals of divinity images are not only concrete expressions of the results of the interaction between religion and literature, but also a product of religious competition. If scholars wish to understand this type of interaction and competition, then they must begin to distinguish deities regarding three significant elements--their titles, facial features, and accompanying implements-as they undertake archaeological and textual studies. |
| Relation: | 華人宗教研究, 12, 115-149 |
| Data Type: | article |
| DOI 連結: | https://doi.org/10.6720/SCR.201807_(12).0004 |
| DOI: | 10.6720/SCR.201807_(12).0004 |
| Appears in Collections: | [華人宗教研究] 期刊論文
|
Files in This Item:
| File |
Description |
Size | Format | |
|---|
| 9.pdf | | 3037Kb | Adobe PDF2 | 238 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(
nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
