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    政大典藏 > College of Communication > Articles >  Item 140.119/129770


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/129770


    Title: 聽見1933年的「跳舞時代」 : 以敘事的時間性探論臺灣日治時期現代機械與技術的意涵
    Listen to ";The Dance Age";in 1933: Narrated Time of Modern Machinery and Technology in Taiwan during the Japanese Colonial Period
    Authors: 謝杰廷
    Hsieh, Chieh-ting
    Contributors: 傳播學院
    Keywords: 曲盤;跳舞時代;現代性
    gramophone records;The Dance Age;modernity
    Date: 2007-04
    Issue Date: 2020-05-25 15:40:09 (UTC+8)
    Abstract: 日治時期的臺灣進入了現代性以及現代機械與技術的時代。蓄音器與曲盤改變了人們的音樂經驗，使現在的人們得以「聽見歷史的聲音」，並提供研究者探究臺灣音樂史在文獻之外的路徑。思考里克爾（Paul Ricoeur）提及「歷史」所關涉的「敘說時間性」以及阿多諾（T. W. Adorno）反省批判「曲盤」所隱含的現代性「書寫」，將開展出「鐘錶時間」以至於「曲盤時間」的詮釋軸線，並從1933年一張古倫美亞所錄下流行歌〈跳舞時代〉的曲盤中聽見臺灣30年代的「跳舞時代」以及狐步舞的節奏是如何旋繞在臺北城入夜後不停歇的跳舞場中，交疊著跳舞女、身體、時間、摩登經驗與現代機械技術的複雜意涵。
    During the Japanese Colonial Rule, Taiwan went through a period of modern machinery and technology. Gramophone players and records have changed people`s listening experiences. These gramophone records allow people to hear the sound of history and provide an alternative approach to music history besides written documents. Considering Paul Ricoeur`s concept of narrated time in history and Adorno`s critical retlection on modern ”writing” of recordings, the interpretation of ”clock-time” and ”record-time” could be given. From a recording of a popular song, ”The Dance Age”, we hear the dance age in the 1930s in Taiwan: the foxtrot rhythm had resounded in commercial dance halls at night in Taipei city where dance hall girls, body, time, modern experience and technology together interwove complicated meanings.
    Relation: 台灣音樂研究, Vol.4, pp.39-54
    Data Type: 期刊論文
    DOI link: https://doi.org/10.29785/FJMR.200704.0003
    DOI: 10.29785/FJMR.200704.0003
    Appears in Collections:[College of Communication] Articles

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