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| Title: | 從恐懼到笑：巴羅的《步步驚笑》
From fear to laughter: Patrick Barlow’s The 39 Steps |
| Authors: | 蔡坦欣
Tsai, Tan-Hsin |
| Contributors: | 姜翠芬
Jiang, Tsui-Fen
蔡坦欣
Tsai, Tan-Hsin |
| Keywords: | 派卻克．巴羅
步步驚笑
米哈伊爾．巴赫金
狂歡
嘉年華
恐懼
笑
犯罪小說
Patrick Barlow
The 39 Steps
Mikhail Bakhtin
Carnival
Fear
Laughter
Crime fiction |
| Date: | 2019 |
| Issue Date: | 2020-02-05 16:57:42 (UTC+8) |
| Abstract: | 犯罪小說是一個以恐懼
情緒 為核心的大眾文學子文類。在 當代 犯罪小說氾
濫 且公式化地 使用懸 疑、驚悚，甚至看似毫不相關的戀愛元素時，一個犯罪小
說的文學傳統 逐漸成形。 當這個文類的公式化情節、角色逐漸使觀者感到無
趣，希求進行批判和重構的作者開始了諧 擬的風潮。 這些作者於 模仿、諷刺犯
罪文學之時， 將令人 害怕 的氣氛轉為嘻笑， 也 凸顯出恐懼和笑之間的微妙關
係。恐懼和笑之間的關係已經眾多科學家及哲學家探討。這些探索者包括米哈
伊爾．巴赫金 (Mikhail Bakhtin)以及約翰．莫瑞爾 (John Morreall)。 然而，在這
些探索中，多半的研究都專注於探討恐懼情緒是如何 被化解並轉變成笑 ，而忽
略了恐懼亦可作為笑料 。本論文透過分析 派卻克 巴 羅 的喜劇《步步驚笑》，主
張它以陳腔濫調情節、刻板印象角色以及後設劇場手法 ，諧擬犯罪文學的傳
統，將 步肯的小說《第三十九階》及希區考克的電影《國防大機密》中的 恐懼
轉化為笑聲，並樹立 喜劇美學「嘉年華劇」。
The popular modern literary subgenre, crime fiction, is a genre of fear as its core. When contemporary crime fictions have overly and formulaically used suspense, shock, and even love elements, a convention of crime fiction comes into being. As viewers become dissatisfied with formulaic plots and character designs of crime fiction, the writers, hoping to criticize and reform this genre, begin a trend of parody. These writers, imitating and mocking crime literature, transform the frightening atmosphere to a joyful one, and highlight the subtle connection between fear and laughter. The connection between fear and laughter has been investigated by many scientists and philosophers, including Mikhail Bakhtin and John Morreall. However, among these investigations, most of them concentrate on how fear is relieved into laughter and neglect the fact that an issue of laughing with fear exists. With the analysis of Patrick Barlow’s comedy The 39 Steps, this thesis argues that through the display of trite plot patterns, the exaggerated portrayal of stereotypical characters as well as the use of metatheatrics, this play parodies the conventions of crime fiction, channels the fear in Buchan’s novel The Thirty-Nine Steps and Alfred Hitchcock’s movie The 39 Steps toward laughter, and establishes a poetics of carnival thriller. |
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| Description: | 碩士
國立政治大學
英國語文學系
105551014 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0105551014 |
| Data Type: | thesis |
| DOI: | 10.6814/NCCU202000023 |
| Appears in Collections: | [英國語文學系] 學位論文
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