政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/128122
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50930789      Online Users : 939
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大典藏 > College of Commerce > International MBA > Theses >  Item 140.119/128122
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/128122


    Title: 一個串聯創作者,DJ 音樂愛好人,派對策劃, 製作發行公司的音樂圈平台
    A music platform to connect artists, labels, DJs, party organizers and listeners
    Authors: 安東寧
    Saslawski, Antonin
    Contributors: 何小台
    Ho, Chester
    安東寧
    Antonin Saslawski
    Keywords: 音樂平台
    DJ
    派對策劃
    music platform
    DJ
    party organizers
    Date: 2019
    Issue Date: 2020-01-03 15:56:37 (UTC+8)
    Abstract: Hubtrack was born from a simple observation of one of our founders, an underground electronic music artist. Digitalization brought a lot to this domain, from music distribution or music supports to interactions and networking between the electronic music industry stakeholders. New digital solutions appear every day and drastically improve the efficiency within this sector, yet he faced an unpleasant experience that was not made easier by digital yet. After finishing an album, he needed to find a label to sign it on. Then came hours and hours of searching to find the right label that fits his music and is open to sign new artists. Small deejays also spend hours looking for venues and party organizers that are looking for warm-up* artists around their place. So, he realized that we needed to use digitalization to connect better small artists and labels, small deejays and party organizers, while offering listeners the opportunity to discover unknown and emergent underground electronic music artists.
    Two associates partnered and created Hubtrack, which literally is a hub to improve interactions of electronic music stakeholders around tracks. It would help small artists to find labels by posting demos on the platform and to market their independent releases without label. It would help labels to find new artists that match their artistic line and let them communicate about their availability to sign. It would help small deejays to share their mixes and find party organizers around their location to play for them, and it would help experimented deejays and listeners to dig* for new and unknown artists, either by streaming or by track downloads. Moreover, it would connect people for free while offering different kind of paid services, depending on the budget and the need of our different customers. They are underground electronic music lovers or actors such as artists, label owners and party organizers, and they can’t wait to be better connected thanks to Hubtrack.
    Because in an artistic environment we need to focus on Art, Hubtrack will save time for musicians. We will strive to become pioneers and leaders in this niche market and expand internationally to offer our service to any underground electronic music stakeholder in the world.
    Reference: Brainvoyager, 2017, “The History of electronic music”, brainvoyagermusic.com. Available from: https://brainvoyagermusic.com/history-of-electronic-music/

    Cousin M. David B., 2000, “Le chant de la machine”, editions allias.

    Swash R., 2011, “Music industry dances to technology’s tune”, The Guardian. Available from: https://www.theguardian.com/culture/2011/mar/17/sxsw-music-technology-soundcloud

    The editorial board, 2019, “Vinyl revival marks the tone of our times”, Financial Times. Available from: https://www.ft.com/content/bc4cbc26-2a27-11e9-88a4-c32129756dd8

    “Legal regulations for e-commerce”, European Comission. Available from: https://ec.europa.eu/growth/sectors/tourism/business-portal/understanding-legislation/legal-regulations-e-commerce_en

    The Copyright hub. Available from: http://www.copyrighthub.org/copyright-resources/copyright-organisations/

    Delpech M., 2017, “Etat des lieux de la musique électronique”, PWFM.fr. Available from : https://www.pwfm.fr/etat-des-lieux-de-la-musique-electronique/

    iMusician, 2019, “Everything you need to know about selling music online”, imusiciandigital.com. Available from: https://imusiciandigital.com/en/blog/everything-you-need-to-know-about-selling-music-online

    Alexander J., 2019, “Streaming makes up 80 percent of the music industry’s revenue”, The Verge. Available from: https://www.theverge.com/2019/9/6/20852568/streaming-revenue-growth-spotify-apple-music-industry-ariana-grande-drake-taylor-swift

    Amazon S3. Available from: https://aws.amazon.com/fr/s3/

    Yeung C., 2019, “Competitive benchmarking of top music streaming platforms”, Synthesio. Available from: https://www.synthesio.com/blog/competitive-benchmarking-music-streaming/
    Description: 碩士
    國立政治大學
    國際經營管理英語碩士學位學程(IMBA)
    107933059
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0107933059
    Data Type: thesis
    DOI: 10.6814/NCCU201901284
    Appears in Collections:[International MBA] Theses

    Files in This Item:

    There are no files associated with this item.



    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback