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Title:	情感現象學與色彩政治學：中唐詩歌白色抒情系譜的數位人文研究 Phenomenology of Emotion and Politics of Color: Digital Humanities Research on the Lyrical Genealogy of ‘White’ in the Poetry of Middle Tang Dynasty
Authors:	鄭文惠 Cheng, Wen-huei 劉昭麟 Liu, Chao-lin 邱偉雲 Chiu, Wei-yun 許筑婷 Hsu, Chu-ting
Contributors:	中文系
Keywords:	中唐詩歌;情感現象學;色彩政治學;數位人文;白色 Poetry of Middle Tang Dynasty;Phenomenology of Emotion;Politics of Color;Digital Humanities;White
Date:	2016-12
Issue Date:	2019-09-27 13:43:29 (UTC+8)
Abstract:	本文藉由情感現象學與色彩政治學兩個主要向度，結合數位技術方法及人文分析，探討中國社會階層結構產生劇烈移位的中唐時期，文人如何以白色構築出一套繁複的觀念系統與文化景觀，如何以白色抒情系譜再現出中唐文人獨特的深層心理結構及社會文化的變革。本文將中唐詩人白色構詞的詩作視為一個文本群，有關中唐詩人的詩歌樣本，以一般唐代詩歌史及人文專家學者所普遍認定，或詩人可察考的生卒年及主要活動時期為主，計具名的詩人 131 位，詩作總數約 1,4566 份。由於中國古典詩歌大多以具體可感的形象描摹抽象的心理情感，亦即詩歌中的一個個構詞幾乎是傳達詩人心理情感的一個個意象，而承載了象徵詩人心理情感與思想觀念的意義系統。因此，本文先以數位技術方法勾勒出白色構詞與白色顏色字出現的位置及其對仗詞、搭配詞；繼而，人文學者再整體考察白色構詞與對仗詞、搭配詞組合成的句鏈，以勾勒出分子鏈結構圖，並從中考察中唐詩歌白色構詞與對仗詞、搭配詞組成的白色光譜學的分子鏈所再現的中唐詩白色抒情系譜的感覺結構。如同分子鏈結構（白色構詞及白色搭配詞所組成的「句鏈」結構）涉及原子（白色構詞）在空間中的位置，及原子（白色構詞）軌道間的雜化（「白色」構詞與不同的搭配詞環繞於「句鏈」四周，雖結構相同，卻具有構象或異構體的差異）所形成鏈結的關係網絡，其中或有多個穩定的構象的差異或異構體的不同，從中以觀察中唐詩白色光譜學中是否存在著相對穩定的極性鏈結的鏈矩（bond moments），或涉及骨幹相連的各組原子（如「白色」構詞的對仗詞、搭配詞）形成交錯（staggered）或排斥的構象存在？本文嘗試以分子構型的結構圖的思維方式，以數位技術方法勾勒出中唐詩白色構詞與搭配詞、對仗詞的關係結構及白色「句鏈」的模型，再施作於詩歌的意象叢及主題研究等，藉而進一步深入分析其中所呈現的情感現象學與色彩政治學。 By applying digital technology and humanities research methodology, this essay aims to investigate how the literati used the color ‘white’ (as well as other characters referring to white) to constitute a complicated ideological system and also formed a specific cultural landscape during the Middle Tang where dramatic changes in social hierarchy took placed in terms of Phenomenology of Emotion and Politics of Color. By reviewing this lyrical genealogy of ‘white’ in the poetry, the specific collective psychological structure of the literati and the social-cultural changes in Tang Dynasty will also be disclosed. This essay regards the poems written with the color ‘white’ as a text set. Most of the selected poems are either recognized by the academic field to be in Middle Tang or by poets whose dates of birth and death are known. It comprises 131 poets and about 1,4566 works.Since the classical Chinese poem usually applies sensible imagery to describe abstractive emotion, each ‘word formation’ can be understood as an imagery expressing the emotion of poet, constituting a semantic system within which the psychological emotion and the ideologies of the poet are encoded. Thus, this essay first utilizes digital technology to locate the positions of ‘white’ as well as its parallel and collocation terms. It then investigates the molecular chains formed by the word-formation of ‘white’ with its collocation and parallel terms to draw the chart of molecular-chain structure. The underlying structure of feeling is also discussed. This molecular structure visualizes and spatialize the relation of the word ‘white’ with its sentence which composed by its parallel and collocation terms. The ‘molecular-chain’ structure is related to the positions of the ‘atoms’ (i.e. the word-formation of ‘white’) and the multiplication of their ‘tracks’ in poems. It is able to understand if there exists some relatively stable bond moments between colors in the color spectrum in Tang Poetry, or if different set of atoms (such as the collocation and parallel terms of ‘white’) are mutually staggered or exclusive. By adopting the model of molecular structure, this essay analyzes the relation of the word formation and sentence structure of ‘white’ as well as their imageries in the poems in order to further investigate the phenomenology of emotion and politics of color revealed.
Relation:	數位人文：在過去、現在和未來之間, 臺大出版中心, pp.207-257
Data Type:	book
Appears in Collections:	[Department of Chinese Literature] Books & Chapters in Books

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