政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/124621

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/124621

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政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/124621

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題名:	垂直城市：《摩天樓》中的反烏托邦、空間與性別 Vertical City: Dystopia, Space and Gender in High-Rise
作者:	蔡瑩慈 Tsai, Ying-Tzu
貢獻者:	陳音頤 Chen, Yin-I 蔡瑩慈 Tsai, Ying-Tzu
關鍵詞:	J.G.巴拉德《摩天樓》改編文學女性性別認同反烏托邦階級差異 J.G. Ballard High-Rise Film adaptation Female identities Dystopia Class differences
日期:	2019
上傳時間:	2019-08-07 15:43:12 (UTC+8)
摘要:	J.G.巴拉德的作品常被歸類為科幻小說，但是不同於以往科幻小說場景通常設為外太空，巴拉德的作品著重在心靈的探索，包括幻想、衝動、精神病理學。《摩天樓》是J.G.巴拉德小說四部曲的最後一本。四十年之後《摩天樓》由導演Ben Wheatley改編為電影《摩天樓》。電影改編版在許多方面都非常忠實於原創小說。在小說中，《摩天樓》中建築原始設計概念是將空間分為上層階級住在上層樓，而下層階級都住在低層樓層，但在現實中，這樣的概念被推翻。而在電影之中，導演賦予這些在小說中沈默的女性角色一個重建自己身份的機會。第二章將從小說裡三個不同的敘述者中回顧反烏托邦世界，並探討小說與電影中的靜音電視與環爾德對紀錄片，與電影裡強調《摩天樓》崛起的新一代。第三章進一步討論導演如何在電影中呈現J.G.巴拉德強調的心理建築圖像，並重新分析三個主要人物的心理。第四章將重點關注在小說中的沈默女性，以及電影如何扭轉女性角色，將其從這父權制建築中解放。 Often categorized as science fiction, J.G. Ballard’s novels often work on mind exploration, including fantasy, impulsiveness, psychopathology. High-Rise is the final part of a quartet of novels that Ballard wrote. Having been nursing the project for almost forty years, in 2015, High-Rise is adapted to the film High-Rise by the director Ben Wheatley. The film adaptation is quite faithful to its original novel in many aspects. But the film also brings out one hidden element in the novel, the subversive power of female characters. In the novel, the original design of High-Rise construction project is to hierarchize space – the upper class on top, the lower class at the bottom, but the reality overturns the plan. Moreover, in the film, the director empowers these silent female characters to rebuild their identities. Chapter two is going to review the dystopian world in the novel with the shifting narrators from the three different voices, the next generation emphasized in the film and the important theme, the muted television and Wilder’s documentary film. Chapter three further discusses how the director presents the images of the mental building on the screen and reanalyzes the psychologies of the three main characters. Chapter four will focus on the silent women in the novel and how the film reverse and emancipate these women from this patriarchal building.
參考文獻:	Ballard, J.G. The Atrocity Exhibition. London: Harper Perennial, 2006. Print. --- Crash. 1973. London: Harper Perennial, 2008. --- Concrete Island. 1974. London: Harper Perennial, 2008. --- High-Rise. 1975. London: Harper Perennial, 2005. Booker, M. Keith. Dystopian Literature: A Theory and Research Guide. US: Greenwood Press, 1994. Print Creed, Barbara. 1987. “From Here to Modernity: Feminism and Postmodernism.” Screen 28.1: 47-67. Caserio, Robert L. “Mobility and Masochism: Christine Brooke-Rose and J. G. Ballard.” NOVEL: A Forum on Fiction, vol. 21, no. 2/3, 1988, pp. 292-310. Constable, Catherine. “Postmodernism and Film.” The Cambridge Companion to Postmodernism, edited by Steven Connor, Cambridge University Press, Cambridge, 2004, pp. 43–61. Cambridge Companions to Literature. Corrigan, Timothy. “Literature on Screen, a History: in the Gap.” The Cambridge Companion to Literature on Screen, edited by Deborah Cartmell and Imelda Whelehan, Cambridge University Press, Cambridge, 2007, pp. 29–44. Cambridge Companions to Literature. Foucault, Michel. The History of Sexuality. New York: Pantheon Books, 1978. Print. Freud, Sigmund, ‘The Ego and the Id’, On Metapsychology: The Theory of Psychoanalysis. London: Penguin, 1991. --- Civilization and its Discontents. Newly translated from the German and edited by James Strachey. New York: W. W. Norton, 1961. Friedman, Danny. Social Impact of Poor Housing. UK: ECOTEC, 2010. Giddens, Anthony. The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Societies. UK: Polity Press, 1997. Groppo, Pedro. Body and Space in J.G. Ballard’s Concrete Island and High-Rise. Brazil: UFMG, 2009. Hall, Chris. “Why J.G. Ballard’s High-Rise takes dystopian science fiction to a new level” The Guardian. web. 3 October 2015. Halliwell, Martin. “Modernism and Adaptation” Cambridge: Cambridge University. Press, 2007. Kermode, Mark. High-Rise Review – Black Humour and Horror. The Guardian. 20 Mar 2016. Web. 29 May 2019. Kumar, Krishan. Utopia and Anti-Utopia in Modern Times. UK: Blackwell, 1987. Levenson, Michael. The Cambridge Companion to Modernism. NY: Cambridge University Press, 1999. Matless, Charlotte. ‘The Figures of “the City” and of “Utopia” have long been intertwined’ INNERVATE Leading Undergraduate Work in English Studies, Vol. 5, 2012-2013, pp. 10-16. Matthews, Graham. “Consumerism`s Endgame: Violence and Community in J.G. Ballard`s Late Fiction.” Journal of Modern Literature. Indiana: IU Press, 2013. 122-139. McFarlane, Brian. “Reading Film and Literature.” Cambridge: Cambridge University Press, 2007. Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin, 1986. Print. Sargisson Lucy. Contemporary Feminist Utopianism. New York: Routledge, 1996. Sherry, Jamie. “Working for the building: An Interview with Ben Wheatley.” Ballardian. 30 May 2016. Web. 30 May 2018. Tong, Rosemarie. Feminist Thought: A More Comprehensive Introduction. 3rd ed. Boulder: Westview, 2009. Winston, Anna. High-Rise is ‘Not a Criticism of Post-War Architecture’ Says Director Ben Wheatley. The Guardian. 25 Mar 2016. Web. 29 May 2019.
描述:	碩士國立政治大學英國語文學系 1015510142
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G1015510142
資料類型:	thesis
DOI:	10.6814/NCCU201900588
顯示於類別:	[英國語文學系] 學位論文

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