政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/118337
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51592252      Online Users : 844
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/118337


    Title: Taiwan high school girls’ everyday life aesthetic practices on Instagram: The affordance approach
    Authors: 吳筱玫
    Wu, Hsiaomei
    Su, Jou-Chun
    Contributors: 新聞系
    Keywords: Instagram;符擔性;後製;協定;社群媒體;日常生活美學
    Instagram;Affordance;Reframing;Convention;Social Media;Everyday Life Aesthetics
    Date: 2017-11
    Issue Date: 2018-07-04 11:33:09 (UTC+8)
    Abstract: 本研究以符擔性理論（Affordance Theory）為本，透過深度訪談與後製相片分析，探討高中女生如何感知Instagram的科技符擔性，如何與之互動，並在此互動中創造哪些新的實踐樣態。研究發現，Instagram以圖為本之特性，成為高中女生日常生活中展演自我的場域；在不同Instagram社群之各自協定下，女生們游移在複數藝術世界中。這顯示Instagram的介面設計，成功將使用者之相片分享導向品味與美感，從而促使她們蒐集更多apps進行相片後製，藉此建立自我秀異風格，凡此都讓美學成了一種日常生活實踐，她們已將美化的生活分享當成了實存。
    This study explores high school girls` Instagram aesthetic practices based on the affordance theory. We conduct in-depth interviews and photo analyses of 10 subjects to reveal how these girls interact with the app`s interface, and what strategic practices they have developed to interact with the affordances preset by Instagram. The findings demonstrate that Instagram has become a realm for everyday aesthetics due to its design priority on photos. These high school girls navigate in plural art worlds as they share their reframed photos with a variety of social groups, of which each has its own discrete aesthetic convention. This indicates that Instagram`s interface design has successfully associated itself with taste and beauty, eliciting these girls to collect more reframing apps in order to achieve their own distinction. As a result, aesthetics takes shape in everyday life, but they take their own aestheticized life as the real one.
    Relation: Second International Conference on Communication and Media Studies, University of British Columbia
    Data Type: conference
    Appears in Collections:[Department of Journalism] Proceedings

    Files in This Item:

    File Description SizeFormat
    P17FinalProgram.pdf3458KbAdobe PDF2566View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback