|
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113648/144635 (79%)
Visitors : 51573442
Online Users : 881
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/117920
|
Title: | Traditional’opera in a’modern’society: institutional change in Taiwanese xiqu education |
Authors: | Stenberg, Josh 蔡欣欣 Tsai, Hsin-hsin |
Contributors: | 台文所 |
Keywords: | xiqu, Chinese theatre, Taiwanese theatre, theatre education |
Date: | 2017-04 |
Issue Date: | 2018-06-21 17:36:07 (UTC+8) |
Abstract: | All discourses of modernisation in the twentieth century Sinophone world engaged Western, Soviet and Japanese influences and models, and traditional Chinese theatre education was no exception. Although the Republic of China on Taiwan never confined theatre to state-sponsored organisations, a system of theatre education was created to ensure continuity of Jingju (i.e. ‘Peking opera’) performance, officially identified as the ‘national theatre’. Beginning with the 1957 establishment of a private vocational school, Jingju education adopted various (Western-inspired) models, moving from professional training colleges to the present single national post-secondary institution, the 12-year (elementary, secondary and post-secondary) National Taiwan College of Performing Arts (NTCPA). Since nationalisation in 1968, the school has featured in public debate surrounding the place of traditional theatre in Taiwan’s shifting cultural politics. Its curriculum and training methods notably came under scrutiny by a legislator in 1970, who found that the school was in desperate need of ‘modernisation’ to conform to education standards. Yet since actor technique is acquired through kinship-like student‒teacher relations, the adaptation of oral teaching to ‘Western’ and ‘modern’ ideas of education, as well as to an academic calendar, remains problematic and contested, with far-reaching implications for theatre performance. |
Relation: | Dance and Performance Training, Volume 8, Issue 1 , pp.76-88 |
Data Type: | book/chapter |
DOI link: | https://doi.org/10.1080/19443927.2016.1240100 |
DOI: | 10.1080/19443927.2016.1240100 |
Appears in Collections: | [Graduate Institute of Taiwanese Literature] Books & Chapters in Books
|
Files in This Item:
File |
Description |
Size | Format | |
index.html | | 0Kb | HTML2 | 699 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(
nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.