政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/116827
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113325/144300 (79%)
造访人次 : 51162407      在线人数 : 928
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/116827


    题名: 中國，正直女子的反串者：攝影、手式藝術與梅蘭芳1930年訪美之旅
    China, a Man in the Guise of an Upright Female: Photography, the Art of the Hands, and Mei Lanfang`s 1930 Visit to the United States
    作者: 葉凱蒂
    Yeh, Catherine
    关键词: 梅蘭芳;馬爾智;齊如山;乾旦;蘭花指
    Mei Lanfang;Benjamin March;Qi Rushan;female impersonator;orchid fingers/gestures
    日期: 2014-12
    上传时间: 2018-04-10 17:34:33 (UTC+8)
    摘要: 關於梅蘭芳1935年的訪美之旅及其衍生的戲劇藝術與文化交流課題，學術界始終研究不斷。本文以圖像資料為基礎，追溯了梅蘭芳及其智囊團為準備此行所出版的攝影集、訪美前寄往美國的照片、訪美時由當地專業攝影師拍攝的劇照、訪美後由美國學者前往北京拍攝的手式特寫，乃至根據這些特寫所製作的木版畫，突顯出攝影對於梅蘭芳所代表的京劇藝術所曾發揮的影響力，以及這門藝術所代表的中國形象，如何回應了當時國際社會對中國的普遍認知。在傳統士大夫文化中，蘭花代表著高潔的品性與雅緻的品味，齊如山為梅蘭芳的表演手式所賦予的蘭花之喻，一方面使京劇與此文化相連結，有助於提升京劇的地位；一方面也為梅蘭芳所扮演的女性塑造了鮮明的形象，增加京劇在表演藝術上的特色，有助於吸引國際舞臺的注目。透過現代攝影的推波助瀾，京劇獲得了原本所沒有的附加意涵。
    The visit of Mei Lanfang`s theater troupe to the United States in 1935 and the related cultural exchanges in both theatrical and broader senses have formed an extending research field. This paper approaches by examining the pictorial materials produced for and resulted by Mei`s visit, which include photographs published for the preparation of Mei`s visit, those sent to the United States prior to the visit, those taken by a local professional photographer during the visit, shots of hand gestures taken by an American scholar in Beijing after the visit, as well as the subsequent wood engravings. These materials reveal the impact modern photography had on the art of Peking opera as represented by Mei. Moreover, Mei`s images talk back to the international society regarding its image of China.For the traditional scholar-officials, the orchid represents high moral stature and cultural refinement. When Qi Rushan interprets Mei`s hand gestures by using the orchid metaphor, he was able to connect Peking opera with the elite culture and help uplift its social status. In the meantime, Mei`s orchid gestures, accompanied by other attitudes of the body, provide clear images to his female characters. Magnified by modern photography, these images eventually stress the acting aspect (as opposed to mere singing) of Peking opera, allowing the art form to find an enthusiastic echo well beyond the members of the Western avant-garde.
    關聯: 東亞觀念史集刊, 7, 3-52
    数据类型: article
    显示于类别:[東亞觀念史集刊] 期刊論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    7-1.pdf3868KbAdobe PDF2396检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈