 |
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113318/144297 (79%)
Visitors : 51004263
Online Users : 952
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/115308
|
| Title: | 文化創意產業之服務創新歴程與脈絡 |
| Authors: | 張瑜倩 |
| Contributors: | 科技管理與智慧財產研究所 |
| Keywords: | 文化創意產業;服務創新;制度脈絡;國立故宮博物院;博物館
cultural & creative industries;service innovation;institutional context;National Palace Museum;museums |
| Date: | 2014 |
| Issue Date: | 2017-12-22 14:54:57 (UTC+8) |
| Abstract: | 即使今日各國政府均極力推廣文化創意產業（以下簡稱文創產業）的發展，「創新 (innovation)」議題在文創組織的探討仍然十分稀少，尤其是相較其他企業功能而言。然而，在設計及推廣創新的過程中，創新者通常會面臨到組織制度力的影響，使其在創新的過程中，必須適時且適當地回應制度力，以利創新的完成和推動。博物館被譽為文創產業的基礎，更被認為是文化資本的靈魂；十年多來，全世界的博物館也從過去被認為是以物件為導向的組織，轉向以大眾為主的文化機構；同時也因為政府對於文化機構預算的削減，以及與其他休閒產業的競爭之下，博物館開始進行產品及服務的創新，保持其競爭優勢，以吸引觀眾持續至館參觀及消費。然而，許多文化機構在進行創新時，皆會遇到制度的阻力，因此，創新者如何在創新過程中，回應制度力的限制，讓創新得以順利發展和推廣，是學術領域的一個缺口。本研究以世界第五大博物館﹣﹣國立故宮博物院的兩個服務創新個案為案例，以民族誌研究法 (ethnography) 探索兩個個案的創新歴程與脈絡，以釐清文創產業在進行創新作為時，創新者如何回應制度力的限制，並且如何與組織內的其他專業人員合作，達到創新採納與擴散的目的。
Today, a number of countries worldwide have put efforts to promote cultural and creative industries; however, the notion of innovation is still neglected in arts and cultural institutions, in particular compared with other industries. However, during the process of designing and promoting an innovative activity, the innovator often needs to deal with the institutional context and to respond opposing institutional forces. Museums are seen as the base of cultural & creative industries; additionally, they are also recognized as the soul of cultural capitals. Over the past decade, museums worldwide have been shifted from object-oriented to public-centered. In the same time, due to the recession of the public funding and the competition with recreation and leisure industries, museums began to design a number of innovations both in products and services, in order to attract visitors and to make repeat visits. However, when cultural organizations undertake innovation activities, they normally need to deal with institutional forces to make innovation happen in practice. Thus, how the innovator respond opposing institutional forces strategically during the process of innovation becomes a research gap. This study takes the National Palace Museum as a case to observe two service innovations designed and implemented by the museum. This research employs ethnographic methods to collect, analyze and interpret data. The propose research outcomes will broaden the theoretical discussions of the cultural & creative industries, contribute to theories in service innovation, arts management and innovation management in creative industries, as well as respond practices from the perspective of managerial strategy. |
| Relation: | 執行起迄：2014/08/01~2015/07/31
103-2410-H-004-204 |
| Data Type: | report |
| Appears in Collections: | [科技管理與智慧財產研究所] 國科會研究計畫
|
Files in This Item:
| File |
Description |
Size | Format | |
|---|
| 103-2410-H-004-204.pdf | | 8253Kb | Adobe PDF2 | 326 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(
nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
