English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113485/144472 (79%)
Visitors : 51390039      Online Users : 682
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/115114


    Title: 文化創意產業的媒體再現：2002～2012歷時性框架分析
    The Representation of Culture and Creative Industries in Taiwan: A Framing Analysis of Newspapers 2002-2012
    Authors: 劉蕙苓
    Liu, Huei-Ling
    Keywords: 文化治理;文化創意產業;文化溝通;框架;消息來源;媒體再現
    cultural and creative industries;cultural governance;culture communication;media representation;news framing;news source
    Date: 2017-01
    Issue Date: 2017-12-11 14:11:49 (UTC+8)
    Abstract: 「文化創意產業」在台灣社會已耳熟能詳，媒體如何建構了這個文化議題？是否隨著時間的變遷而有所不同？本研究以框架分析探討此一公共議題自2002 年進入台灣社會的十年間，媒體再現其內涵的變化。本研究分析自2002 年到2012 年期間《中國時報》與《聯合報》的相關新聞共3,931 則，結果發現：雖然法定的文化創意產業共十六項，但媒體對文創產業新聞的指涉都集中在藝文產業、影視出版及創意生活類；新聞內容中最常使用的框架是「展現文化」，其次為「關切發展」；但兩者在不同時期互有消長。此外，新聞報導中最常突顯的是政府官員的觀點，其次為藝文人士與產業人士，且地方官員的觀點在後期愈來愈重要。本研究發現：媒體對文化創意產業的報導在歷經十一年的社會脈絡互動後，形成文創產業再現的日常化、文創產業框架展演化，加上媒體對文化議題傾向「軟性」處理，對文化創意產業的核心與內涵並沒有提供多元的討論空間，反而使此重要的文化議題流於模糊且瑣碎。
    ＂Cultural and creative industries＂ is a well-known cultural issue in Taiwan society. How do media represent this issue? Does it have a difference when time has changed? This study explores the media frames and trends of news coverage of ＂cultural and creative industries＂ related stories. A framing analysis of long-term data collection focus on how newspapers have portrayed ＂cultural and creative industries＂ in the period 2002-2012. The present study found a strong emphasis on the frame of ＂concerning development＂ in early stage, and the frame of ＂presentinging culture＂ is dominant in 2011-2012. Moreover, this study also indicates the government officials are most dominant sources, and people who work in art and industries also play important roles. It became more vague and trivial in media representation when the ＂cultural and creative industries＂ issue interacted with social context during the eleven years, due to media ignoring to provide a public sphere to discuss the core value of ＂cultural and creative industries＂.
    Relation: 新聞學研究, 130, 91-139
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    130-91-139.pdf1760KbAdobe PDF2341View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback