English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50924091      Online Users : 902
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/115106


    Title: 紀錄片作為國族寓言：我們的另一堂地理課
    Documentary as a national allegory: Learning Another Geography Lesson
    Authors: 陳品君
    Chen, Pen-Juin
    Keywords: 柯金源;生態環保紀錄片;國族寓言;國族想像
    Ke Chin-yuan;environmental documentary;national allegory;national imagination
    Date: 2016-10
    Issue Date: 2017-12-11 14:10:02 (UTC+8)
    Abstract: 環境議題以土地之名，傳達生態人權和倫理之普世價值。然意識形態根據其所需將土地轉化成各種符號。土地作為符號承載各種意識形態間的相互傾軋。土地既已受各種力量所滲透，而以護土為名的環保紀錄片會僅止於客觀記錄嗎？它可被解讀為國族寓言嗎？美國學者Frederic Jameson 認為第三世界文學皆是國族寓言。柯金源長期關注台灣公害與環境議題，結合個人對土地的情感與台灣集體的政治經驗讓他的紀錄片具有一種國族寓言的特質。本文旨將柯金源所拍攝的生態環保紀錄片在台灣內部認同分歧脈絡下，對照台灣本土化運動史進行寓言式閱讀，探討其生態環保紀錄片背後的台灣國族想像和生命共同體意識。
    American scholar Frederic Jameson regards all third-world literature as a national allegory. Jameson considers that the characteristics of third world literatures combine personal stories and collective experiences into the form of an allegory. Environmental issues in the name of protecting the land convey universal values such as ecological rights and ethics. However, the land can be transformed into various sings according to the needs of those interests and ideologies involved. Could environmental documentaries produce and record the issues in an objective way? Will environmental documentaries be interpreted as a national allegory? In this paper, I will attempt to explore the national imagination and the consciousness of the community that both surfaced in Ke, Chin-yuan`s environmental documentary. As a Taiwanese documentary producer Ke has long paid close attention to issues related to contamination and the environment on this island. He incorporates into the documentary his personal affections for the land as well as Taiwan`s collective memory, bequeathing it an element of allegory. In recognition of the division among Taiwanese over their national identities, an allegorical way of reading will be used to discuss Ke`s documentary in the way of looking into politics geography, contaminated land, and Taiwan`s uniqueness.
    Relation: 新聞學研究, 129, 1-32
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    129-1-32.pdf1033KbAdobe PDF2231View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback