政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/112597

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/112597

English | 正體中文 | 简体中文 | Post-Print筆數 : 27 | 全文笔数/总笔数 : 113318/144297 (79%)
造访人次 : 51082845 在线人数 : 927

RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.

搜寻范围

查询小技巧：

您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果

若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据

进阶搜寻

主页 ‧ 登入 ‧ 上传 ‧ 说明 ‧ 关于政大典藏 ‧ 管理

到手机版

政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/112597

请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/112597

题名:	愛倫坡作品中之魑魅陽剛與同性慾望 Gothic Masculinity and Same-Sex Desire in the Works of Edgar Allan Poe
作者:	徐千惠 Hsu, Chien Hui
贡献者:	葉德宣趙順良 Yeh, Te Hsuan Chao, Shun Liang 徐千惠 Hsu, Chien Hui
关键词:	愛倫坡哥德／志異戰前奇情小說負面情感陽剛氣質同性慾望賽菊寇巴特勒 Edgar Allan Poe The Gothic Antebellum sensation fiction Negative affect Masculinity Same-sex desire Eve Sedgwick Judith Butler
日期:	2017
上传时间:	2017-09-13 14:01:57 (UTC+8)
摘要:	本論文旨在分析愛倫坡作品中之陽剛氣質與同性慾望的社會建構，藉由探討男性敘事者的負面情感與角色間的同性社交慾望，本研究意欲以酷兒閱讀的方法對美國戰前時期文本提出新詮。論文第一部分剖析短篇故事《黑貓》中正典陽剛氣質與異性戀婚家常規之共構、重探維多利亞時期公私領域分離的意識形態如何性別化地形塑家庭與酒館之文化意義，並據此提出敘事者和其寵物黑貓間的親密關係或可理解為一種酷兒情慾之隱喻。在此脈絡下，敘事者對雄貓之恐懼與同性親密關係之拒斥遂映照出其悖離資本主義式中產階級男性身分之挫敗陽剛。第二部分以《威廉‧威爾森》為例，探討哥德傳統中反覆出現的替身母題與自戀和男性偏執妄想之內在關聯。延續傳統上常見於愛倫坡研究的心理分析方法，此章在不否定將主角替身視為超我的前提下，將焦點轉移至主角與替身之間競爭關係的曖昧模稜，並揭示這種競爭關係與賽菊寇同性社交慾望理論之若合符節。第三部分檢視同性慾望結構中常見的死亡慾力與肉身性如何具體而微地在長篇小說《亞瑟‧戈登‧皮姆之自述》中呈現。此章從巴特勒對佛洛伊德《傷逝與憂鬱》論述之改寫出發，重新闡釋故事中帶有毀滅色彩的重要場景──奧古斯特之死與集體食人，並分析同性愛結構中被壓抑的慾力投注如何以情感遺骸之形式往復迴返，成為美國戰前時期性別憂鬱之縮影。據此，論文將問題意識收束在三個面向:陽剛身分之內在裂隙、同性社交情誼之踰越性、與情感的性別政治意涵，透過梳理愛倫坡筆下男性角色的負面情感，本論文得以發掘其作品中哥德元素、破碎陽剛與酷兒情慾間的潛在關聯，進而揭示同性情慾如何在美國戰前文學中隱沒／現身。 The present study engages three works written by Edgar Allan Poe to contextualize the construction of masculinity and same-sex desire in antebellum sensation fictions. While ample analyses have been dedicated to Poe’s depictions of femininity, the interrelation between masculinity and incipient homoeroticism in his stories proves to be significantly understudied. By examining the negative affects of Poe’s male protagonists—respectively fear in “The Black Cat,” paranoia in “William Wilson,” and melancholia in The Narrative of Arthur Gordon Pym of Nantucket, this project aims to provide a queer reinterpretation of these texts. Structurally, the thesis consists of five chapters. The second chapter délinéâtes the Victorian separate spheres ideology to explore its significance in the formation of normative manhood in “The Black Cat.” By underscoring the homoerotic Relationship between the narrator and Pluto, the study thereby sees the conclusion of the story as a testimonial to the unattainable ideals of Jacksonian manhood and its oppressive continuum with the heterosexual domestic sphere. In so doing, the study is able to substantiate a connection between the narrator’s perverseness with a homosocial desire that is subjected to heteronormative cultural silencing. The third chapter is an attempt to establish a linkage between Gothic doubling, narcissism, and male paranoia in “William Wilson.” While exhaustive studies have been taken upon to validate the readings wherein the second Wilson is treated as the narrator’s super-ego, the present study further argues that Gothic doubling finds expression in this tale in the form of capitalist competitiveness. Building on this observation, the project examines Poe’s doubling in relation to the narrator’s paranoia and his conscious disengagement from the patriarchal social order. Through a reassessment of the gentlemanly edifices of Poe’s male characters, this study explores the constructedness of antebellum manhood and discovers a concurrence of onanism and homosexuality in Poe’s time, thereby establishing a connection between Wilson’s narcissistic desire and its homoerotic potentialities. Lastly, the fourth chapter demonstrates how unconsummated mourning over the loss of same-sex ties in The Narrative of Arthur Gordon Pym of Nantucket functions as an integral part of Jacksonian normative male identity. Focusing on the queer connotations of Pym’s break from patronymic ties, this study contends that becoming the antebellum subject entails a preclusion of homosexual attachments. Reconsidering the protagonist’s inability to mourn Augustus Barnard’s death and the crew’s cannibalism, this study sees Arthur Gordon Pym as the Butlerian melancholic subject who is unable to perform the work of mourning for his beloved object. Read in tandem with Freud’s conception of primordial parricide, the fraternal revolt that works at the center of the story can be viewed as a form of gender nonconformity which foregrounds melancholia in the abandonment of familial bonds. As such, the project excavates the instability, constructedness, and finally—the Gothicness that underlie Poe’s representations of masculinity. Reappraising the failed manhood of Poe’s men, this thesis concludes that the affective dynamics between Poe’s male characters are inextricably bound up with their broken masculinity and queer homoerotics.
參考文獻:	Anthony, David. “Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic.” American Literature 76.4 (2004): 719-47. Print. Auerbach, Jonathan. The Romance of Failure: First-Person Fictions of Poe, Hawthorne, and James. NY: Oxford UP, 1989. Print. Benfey, Christopher. “Poe and the Unreadable: ‘The Black Cat’ and ‘The Tell-Tale Heart.’ New Essays on Poe’s Major Tales. Ed. Kenneth Silverman. Cambridge: Cambridge UP, 1993. 27-44. Print. Bersani, Leo. No Future: Queer Theory and the Death Drive. US: Duke UP, 2004. Print. Bliss, Ann V. “Household Horror: Domestic Masculinity in Poe’s ‘The Black Cat.’” Explicator 67.2 (2009): 96-99. Web. 5 April 2016. Boggs, Colleen Glenney. “Animals and the Letter of the Law (Edgar Allan Poe).” Animalia Americana: Animal Representations and Biopolitical Subjectivity. NY: Columbia UP, 2012. 126-48. Print. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. NY: Routledge, 1990. Print. ——. The Psychic Life of Power: Theories in Subjection. Stanford: Stanford UP, 1997. Print. Carter, Angela. “The Bloody Chamber.” The Bloody Chamber and Other Stories. US: Penguin, 2011. 20. Print. Caserio, Robert L., et al. “The Antisocial Thesis in Queer Theory.” PMLA 121.3 (2006): 819-28. Web. 7 June 2017. Crain, Caleb. “Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels.” American Literature 66.1 (1994): 25-53. Web. 22 February 2017. Cvetkovich, Ann. “Marketing Affect: The Nineteenth-Century Sensation Novel.” Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism. New Brunswick: Rutgers UP, 1992. 13-25. Print. Dayan, Joan. “Amorous Bondage: Poe, Ladies, and Slaves.” American Literature 66.2 (1994): 239-73. Web. 5 April 2016. Edelman, Lee. Homographesis: Essays in Gay Literary and Cultural Theory. NY: Routledge, 1994. Print. ——. No Future: Queer Theory and the Death Drive. Durham: Duke UP, 2004. Print. Feldberg, Michael. “Urbanization as a Cause of Violence: Philadelphia as a Test Case.” The Peoples of Philadelphia: A History of Ethnic Groups and Lower-Class Life, 1790-1940. Ed. Allen F. Davis and Mark H. Haller. Philadelphia: U of Pennsylvania P, 1998. 53-69. Print. Fernández-Santiago, Miriam. “Edgar Allan Poe’s Narrative Use of Literary Doubling.” Mediterranean Journal of Social Sciences 4.1 (2013): 71-82. Web. February 3, 2016. Fiedler, Leslie. Love and Death in the American Novel. NY: Stein and Day, 1966. Print. Foster, George G. “Philadelphia in Slices.” The Pennsylvania Magazine of History and Biography 93.1 (1969): 23-72. Web. 7 March 2017. Foucault, Michel. The History of Sexuality, Volume One: An Introduction. NY: Vintage, 1978. Print. Freud, Sigmund. “Mourning and Melancholia.” Standard Edition. Vol. 14. Trans. James Strachey. London: Hogarth, 1953. 243-58. Print. ——. “Psycho-analytic Notes on An Autobiographical Account of A Case of Paranoia (Dementia Paranoides).” Standard Edition. Vol. 24. Trans. James Strachey. London: Hogarth, 1958. 9-82. Print. ——. The Interpretation of Dreams. Raleigh: Hayes Barton, 1950. Print. ——. “The ‘Uncanny.’” Trans. James Strachey. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVII (1917-1919): An Infantile Neurosis and Other Works. 217-56. PEP Web Archive. Web. 2 February 2017. ——. Totem and Taboo. London: Routledge, 2001. Print. Gargano, James W. “‘The Black Cat’: Perverseness Reconsidered.” Texas Studies in Literature and Language 2.2 (1960): 172-78. U of Texas P. Web.12 April 2016. Garrett, Peter K. Gothic Reflections: Narrative Force in Nineteenth-Century Fiction. Ithaca: Cornell UP, 2003. Print. Ginsberg, Lesley. “Slavery and the Gothic Horror of Poe’s ‘The Black Cat.’’’ American Gothic: New Interventions in a National Narrative. Ed. Robert K Martin. Iowa: U of Iowa P, 1988. 99-128. Print. Graham, Sylvester. A Lecture to Young Men on Chastity: Intended Also for the Serious Consideration of Parents and Guardians (1834). Boston: George W. Light, 1838. Print. Greven, David. Gender Protest and Same-Sex Desire in Antebellum American Literature. UK: Ashgate, 2014. Print. Haggerty, George E. Queer Gothic. Great Britain: U of Illinois P, 2006. Print. Halberstam, Jack. Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke UP, 2006. Print. Hanson, Ellis. Introduction. Out Takes: Essays on Queer Theory and Film. Ed. Ellis Hanson. Durham: Duke UP, 1999. 4. Print. Harvey, Ronald C. The Critical History of Edgar Allan Poe’s The Narrative of Arthur Gordon Pym: A Dialogue with Unreason. NY: Garland, 1998. Print. Hocquenghem, Guy. Homosexual Desire. Trans. Daniella Dangoor. Durham, NC: Duke UP, 1993. Print. Kennedy, J. Gerald. “The Violence of Melancholy: Poe against Himself.” American Literary History 8.3 (1996): 533-51. Web. 2 March 2017. Kilgour, Maggie. From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation. Princeton: Princeton UP, 1990. Print. Kristeva, Julia. Black Sun: Depression and Melancholia. NY: Columbia UP, 1989. Print. Lee, Maurice S. “Absolute Poe: His System of Transcendental Racism.” American Literature 75.4 (2003): 751-81. Web. 20 February 2017. Leverenz, David. “Poe and Gentry Virginia.” Ed. Shawn Rosenheim and Stephen Rachman. The American Face of Edgar Allan Poe. Baltimore: The Johns Hopkins UP, 1995. 210-36. Print. Lint, Brad. “The Hermaphrodite in the Abyss: Queering Poe’s Pym.” The Edgar Allan Poe Review 7.1 (2006): 49-60. Web. 22 June 2016. Looby, Christopher. ‘“Innocent Homosexuality’: the Fiedler Thesis in Retrospect.” Ed. Gerald Graff and James Phelan. The Adventures of Huckleberry Finn: A Case Study in Critical Controversy. Boston: Bedford Books of St. Martin’s Press, 1995. 535-50. Print. Love, Heather. Feeling Backward: Loss and the Politics of Queer History. London: 2007, Harvard UP. Print. Mccallum, E. L. “The ‘Queer Limits’ in the Modern Gothic.” Ed. Jerrold E. Hogle. The Cambridge Companion to the Modern Gothic. Cambridge: Cambridge UP, 2014. 71-86. Print. Min, Susette. “Remains to Be Seen: Reading the Works of Dean Sameshima and Khanh Vo.” Loss: The Politics of Mourning. Ed. David L. Eng and David Kazanjian. Berkeley: U of California P, 2003. Print. Møllegaard, Kirsten. “Animal Invasion: Estrangement and the Domestic Uncanny in Edgar Allan Poe’s ‘The Black Cat’ and ‘The Murders in the Rue Morgue.’” International Journal of Arts and Sciences 7.5 (2014): 11-25. Web. 5 April 2016. Monnet, Agnieszka S. The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Great Britain: Ashgate, 2010. Print. Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. NY: Vintage Books, 1993. Print. Neff, Brian. Frightening Masculinity: Gothic Affect and Antebellum Manhood. Diss. The Pennsylvania State U, 2010. Print. Novosat, Courtney. “Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s ‘The Murders in the Rue Morgue.’” Poe Studies 45.1 (2012): 78-106. Web. 28 February 2017. Person, Leland S. “Poe and Nineteenth-Century Gender Constructions.” A Historical Guide to Edgar Allan Poe. Ed. J. Gerald Kennedy. NY: Oxford UP, 2001. 129-65. Print. ——. “Queer Poe: The Tell-Tale Heart of His Fiction.” Poe Studies 41.1 (2008): 7-30. Web. 12 March 2017. Peyser, Thomas. “Poe’s ‘William Wilson’ and the Nightmare of Equality.” Explicator 68.2 (2010): 101-03. Web. 20 May 2016. Plath, Sylvia. “The Couriers.” Ariel. NY: Perennial Classics, 1999. 2. Print. Pocock, J. G. A. Virtue, Commerce, and History: Essays on Political Thought and History, Chiefly in the Eighteenth Century. Cambridge, UK: Cambridge UP, 1985. 235. Print. Poe, Edgar Allan. “Instinct vs Reason—a Black Cat.” Alexander’s Weekly Messenger 4.5 (1840): 2. Web. 26 February 2017. ——.The Annotated Poe. Ed. Kevin J. Hayes. US: The Belknap of Harvard UP, 2015. Print. ——. “The Black Cat.” The Portable Edgar Allan Poe. NY: Penguin, 2006. 192-201. Print. ——. “The Imp of the Perverse.” Ed. J. Gerald Kennedy. The Portable Edgar Allan Poe. NY: Penguin, 2006. 202-07. Print. ——. “The Narrative of Arthur Gordon Pym of Nantucket.” Ed. Burton R. Pollin. The Collected Writings of Edgar Allan Poe: Volume I: The Imaginary Voyages. Boston: Twayne, 1981. 53-208. Print. ——. “The Poetic Principle.” Ed. T. O. Mabbott. The Selected Poetry and Prose of Edgar Allan Poe. NY: Random House, 1951. 383-403. Print. ——. “William Wilson.” The Portable Edgar Allan Poe. NY: Penguin, 2006. 168-86. Print. Quinn, Patrick F. “Poe’s Imaginary Voyage.” Hudson Review IV (1952): 562-85. Web. 25 June 2017. Robb, Graham. “Heroes of Modern Life.” Strangers: Homosexual Love in the Nineteenth Century. US: W. W. Norton and Company, 2003. 253-70. Print. Robinson, Marilynne. “On Edgar Allan Poe.” The New York Review of Books 62.2 (2015): n.pag. Web. 5 April 2016. Rotundo, Anthony E. American Manhood: Transformations in Masculinity from the Revolution to the Modern Era. NY: Basic Books, 1993. Print. Royle, Nicholas. The Uncanny. Manchester: Manchester UP, 2003. Print. Sanborn, Geoffrey. “A Confused Beginning: The Narrative of Arthur Gordon Pym of Nantucket.” Ed. Kevin J. Hayes. The Cambridge Companion to Edgar Allan Poe. Cambridge: Cambridge UP, 2004. Print. Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. NY: Columbia UP, 1985. Print. ——. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You.” Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP, 2003. 123-51. Print. ——. The Coherence of Gothic Conventions. NY: Yale, 1976. Print. Stadler, Gustavus T. “Poe and Queer Studies.” Poe Studies 33.1 (2000): 19-22. Web. 28 February 2016. Warner, Michael. Introduction. Fear of a Queer Planet. By Warner. Minneapolis: U of Minnesota P, 1993. vii-xxxi. Print. Welter, Barbara. “The Cult of True Womanhood: 1820-1860.” American Quarterly 18.2 (1996): 151-74. Print. Yonjae, Jung. “Poe’s ‘William Wilson.’” The Explicator 65.2 (2007): 82-84. Web. January 15, 2017.
描述:	碩士國立政治大學英國語文學系 101551010
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G1015510104
数据类型:	thesis
显示于类别:	[英國語文學系] 學位論文

文件中的档案:

档案	大小	格式	浏览次数
010401.pdf	1441Kb	Adobe PDF2	345	检视/开启

在政大典藏中所有的数据项都受到原著作权保护.

社群 sharing

著作權政策宣告 Copyright Announcement

1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.

DSpace Software Copyright © 2002-2004 MIT & Hewlett-Packard / Enhanced by NTU Library IR team Copyright © - 回馈