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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/111490


    Title: 昂希（Michel Henry）藝術現象學的研究
    Studies on Michel Henry’s Phenomenology of the art
    Authors: 莊浚生
    Chong, Tsun Sang
    Contributors: 黃冠閔
    Huang, Kuan Min
    莊浚生
    Chong, Tsun Sang
    Keywords: 昂希
    生命現象學
    不可見
    感觸
    內在
    康丁斯基
    內在必然性
    Michel Henry
    The phenomenology of life
    Invisible
    Affect
    Immanence
    Wassily Kandinsky
    Inner necessity
    Date: 2017
    Issue Date: 2017-07-31 11:09:38 (UTC+8)
    Abstract: 本論文將以昂希解讀康丁斯基的抽象繪畫理論作為始點，以探究現象學如何描述與詮釋繪畫活動，同時透過此過程，展現出昂希的生命現象學於現象學運動中的獨特之處。因此，本文會以抽象繪畫的現象作為範例，探討繪畫現象如何可以超越可見的限制，面對不可見者，直接顯現繪畫現象。並藉此說明現象的顯現是無關於可見本身，而是不可見的生命直接地作為現象顯現的本質。
    In this essay, I would consider Michel Henry’s interpretation of Kandinskian theory of abstract painting, in order to argue how the phenomenology gets involved in the painting activity. On the same time, it will be shown that what are the special features of the phenomenology of life theorized by Michel Henry in the development of phenomenology. Therefore, taking the phenomenology of the abstract painting as the example, this master thesis will demonstrate how such phenomenology can be revealed in the immediacy of the invisible, by going beyond the limit of the visible. By using of this case, I will furthermore prove that the manifestation of the phenomenology is nothing to do with the visible itself, but the invisible life itself as the essence of manifestation instead.
    Reference: I. 昂希的著作
    一、法文原著作品
    Henry, Michel. « La subjectivité originaire. Critique de l’objectivisme » in Auto-donation. Entretiens et conférences, Paris, Beauchense, 2004.
    ------------------ Généalogie de la psychanalyse, Paris, PUF, 1985.
    ------------------ Incarnation. Une philosophie de la chair, Paris, Seuil, 2000.
    ------------------ L’essence de la manifestation, Paris, PUF, 2011,
    ------------------ La barbarie, Paris, Grasset, 1987.
    ------------------ Phénoménologie de la vie Tome I, Paris, PUF, 2003.
    ------------------ Phénoménologie de la vie Tome III, Paris, PUF, 2004.
    ------------------ Phénoménologie matérielle, Paris, PUF, 1990.
    ------------------ Voir l`invisible. Sur Kandinsky, Paris, PUF, 2014.

    二、英文譯本
    Henry, Michel. The Genealogy of Psychoanalysis, trans. Douglas Brick, Stanford, Standford University Press, 1993.
    ------------------ The Essence of Manifestation, trans. Girard Etzkorn, The Hague, Martinus Nijhoff, 1973.
    ------------------ Material Phenomenology, trans. Scott Davidson, New York, Fordham University Press, 2008.
    ------------------ Incarnation: a Philosophy of Flesh, trans. Karl Hefty, Northwestern University Press, 2015.
    ------------------ Seeing the Invisible: On Kandinsky, trans. Scott Davidson, New York, Continuum, 2009.

    II. 其他外文參考資料
    Bonfand, Alain. L`Art abstrait, Paris, PUF, Que sais je?, 1995.
    Brohm ,Jean-Marie et Leclercq, Jean, dir. Michel Henry Les Dossiers H l`Age d’Homme, Paris, Editions L’Age d’Homme, 2009.
    Descartes, René. Oeuvres de Descartes, publiées par Adam et Tannery, Paris, Vrin, CNRS, IX.
    ---------------------Les passion de l’âme, Paris, Vrin, 1994.
    Dufour-Kowalska, Gabrielle. L`art et la sensibilité: de Kant à Michel Henry, Paris, Vrin, 1996.
    Florman, Lisa. Concerning the Spiritual—and the Concrete—in Kandinsky’s Art, Standford, Stanford University Press, 2014.
    H. Smith, Jeremy. ‘Michel Henry’s Phenomenology of Aesthetic Experience and Husserlian Intentionality’, International Journal of Philosophical Studies Vol.14.
    Harrison, Charles and Wood, Paul, ed. Art in theory 1990 to 1990: An Anthology of Changing Ideas, London, Blackwell, 1992.
    Husserl, Edmund. Cartesian Meditations: An Introduction to Phenomenology, trans. Dorion Cairns, The Hague, Martinus Nijhoff, 1960.
    --------------------- Ideas pertaining to a Pure Phenomenology and to a Phenomenological Philosophy. First book: General Introduction to a Pure Phenomenology, trans. F. Kersten, The Hague, Martinus Nijhoff, 1982.
    --------------------- Idées directrices pour une phénoménologie, trans. Paul Ricoeur, Paris Gallimard, 1950.
    --------------------- Méditation Cartésiennes, Paris, PUF, 1991.
    Janicaud, Dominique. Phenomenology and the "Theological Turn": The French Debate, Fordham University Press, 2000.
    Kandinsky, Vassily. Retrospective, Fondation Maeght, 2001, p. 168. « Sur les pointes ».
    Kandinsky, Wassily. Kandinsky: Complete Writings On Art, Boston, Massachusetts, First Da Capo Press, 1994.
    Kandinsky, Wassily, Du Spirituel dans l’art, et dans la peinture en particulier, Paris, Edition Denoël, 1989.
    Kojève, Alexandre. Les peintures concrètes de Kandinsky, Revue de Métaphysique et de Morale, 90e Année, No. 2, Esthétique (Avril-Juin 1985), Paris, PUF.
    Margat, Claire. Hegel Introduction aux leçons d’Esthétique, Paris, Nathan, 2009.
    Marion, Jean-Luc. Cartesian Questions: Method and Metaphysics, Chicago, The University of Chicago Press, 1999.
    Merleau-ponty, Maurice, Phénoménologie de la perception, Paris, Gallimard, 1945.
    Sang Ong-Van-Cung, Kim. « La vie du sujet. Michel Henry lecteur de Descates » dans Grégori Jean et Jean Leclercq (éd.), Lectures de Michel Henry. Enjeux et perspectives, Louvain, Presse universitaires de Louvain, 2014.
    Sers, Philippe. Comprendre Kandinsky, Suisse, Infolio, 2009.
    Sers, Philippe, Kandinsky. L’aventure de l’art abstrait, Paris, Editions Hazan, 2015.
    Souriau, Étienne et Souriau. Anne. Vocabulaire d`esthétique, Paris, PUF, 2010.

    III. 中文參考資料
    林素惠著，《康定斯基研究》，臺北：臺北市美術館：美術論叢18。
    尼可拉斯．法克斯．韋伯（Nicholas Fox Weber）：《包浩斯人：現代主義六大師傳奇，葛羅培、克利、康丁斯基、約瑟夫．亞伯斯、安妮．亞伯斯、密斯凡德羅的真實故事》，臺北：臉譜，2011。
    《笛卡兒沉思與巴黎演講》，胡塞爾著，張憲譯，北京：人民出版社，2008。
    Description: 碩士
    國立政治大學
    哲學系
    102154010
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1021540102
    Data Type: thesis
    Appears in Collections:[Department of Philosophy] Theses

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