English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51569472      Online Users : 799
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/107014


    Title: 少數派報告:中國大陸女性科幻迷的歡愉、協商與愛恨交織
    Minority report : the pleasures, negotiations and ambiguities of Chinese female science fiction fans
    Authors: 劉戈
    Liu, Ge
    Contributors: 柯裕棻
    Ko, Yu Fen
    劉戈
    Liu, Ge
    Keywords: 科幻
    科幻迷
    迷研究
    閱聽人研究
    女性主義
    Date: 2017
    Issue Date: 2017-03-01 17:39:40 (UTC+8)
    Abstract: 近年來,科幻這一源起於西方的文類,隨著新科技在世界範圍內發展和傳播,開啟了它全球化歷程。在中國大陸,其熱度也隨好萊塢科幻影片、外國科幻影集的流行,以及國內科幻作家在海外獲獎而逐年增加。但對閱聽人來說,在其強調「幻想全人類未來」的宣言背後,卻有著不易察覺的界線,無論是在性別、國族還是類型內部的分野。這種「名不副實」一方面反映出充斥在這個世界中複雜交錯的社會脈絡和權力關係,另一方面又在悄然形塑著閱聽眾對特定主題的話語、認同和想象。
    隨著全球化在世界範圍內的加深,這種現象應當引起重視,特別是在對科幻的跨文化閱讀中。但是,由於該類型在中國大陸尚屬小眾文化,未能在大眾流行文化傳播和閱聽人研究中引起關注。
    本文運用俗民方法論中的質性深度訪談法,聚焦中國大陸女性科幻迷這一閱聽群體,探看她們如何在這種傳統上被認為是「西方的」、「陽剛的」文化領域內進行跨文化閱聽和著迷實踐。嘗試描繪她們在性別界線、國族界線以及科幻類型邊界與社會脈絡的交織中,如何實踐和理解自身認同、迷/群與社會,以及科幻類型本身。
    本研究中的中國大陸女性科幻迷在倚賴網路科技進行科幻閱聽和著迷中,表現出一定的主體意識和能動性,可以在一定程度上實踐Donna Haraway 所謂的「混淆界線」,並從中獲得歡愉。但另一方面,她們也受到其所在的社會脈絡的限制,而無法完全察覺科幻對於「全人類幻想」承諾背後的陷阱。此外,她們對迷/群的認同與互動,體現出一種對當代大眾流行文化迷/群和網路迷/群的迴避與疏離。總結來說,她們在閱聽、著迷科幻的愉悅和協商中,表現出一種「愛恨交織」的心理。
    Reference: 三豐(2015)。 <2014: 中國科幻文化產業鏈元年?> ,《中國圖書評論》,(2):56-61。
    王垚(2014)。《哈拉維的賽柏格女性主義思想研究》。蘭州大學碩士論文。
    王泉根(2011)。《現代中國科幻文學主潮》。重慶出版社。
    朱華瑄譯(2009)。《探究迷文化》, 臺北縣永和市:韋伯文化國際。(原書 Hills, M. [2003]. Fan Cultures: Routledge.)
    朱麗麗 (2012)。 <網路迷群體文化研究的歷史與現狀>,《編輯學刊》,1:017。
    吳岩(2012)。<民族振興與國力趕超——淺析後發達國家科幻小說中的意識形態>, 《汕頭大學學報: 人文社會科學版》,28(1):5-8。
    呂逸瑄(2014)。《陰性顯影:女性金屬樂迷的日常實踐》。政治大學新聞研究所碩士論文。
    李政賢譯(2009)。《訪談研究法》,臺北市:五南。(原書 Seidman, I. [2006] Interviewing as qualitative research: a guide for researchers in education and the social sciences. New York, USA: Teachers College Press)
    李廣益(2015)。<史料學視野中的中國科幻研究>,《清華大學學報》(哲學社會科學版), 4:013。
    林秀雲譯(2013)。《社會科學研究方法》,臺北市:新加坡商聖智學習。(原書 Babbie, R. [2013]. The practice of social research, 13th ed. Wadsworth:Cengage Learning.)
    政見CNPolitics眾包翻譯組譯(2016)。《粉絲公眾》。(原書 Zhang, W. (2016). The Internet and New Social Formation in China: Fandom Publics in the Making: Taylor & Francis. )
    胡綺珍 (2009)。<中國字幕組與新自由主義的工作倫理>,《新聞學研究》,101:177-214。
    凌晨(2011)。<不仅仅是点缀——略谈女性科幻与中国的科幻女作者们>,《科普研究》,5: 016。
    卿晨(2015)。《網絡社區中粉絲群體的社會認同研究——以韓流粉絲群體為例》。華東師範大學社會發展學院碩士論文。
    夏沫(2014)。<騰訊視頻:BBC英劇來襲>,《新營銷》,第三期。
    晓帆(2012)。《美国科幻剧集的网络传播解读》。中央民族大学文學與新聞學院碩士論文。
    張念(2014)。《性別政治與國家:論中國婦女解放》,北京:商務印書館。
    張錦華、劉容玫譯(2001)。《女性主義媒介研究》,臺北市:遠流出版事业股份有限公司。(原書 Van Zoonen, L. [1992]. Feminist media studies. Sage.)
    郭麗麗(2013)。《哈拉維女性主義科學哲學研究》。大連理工大學博士論文。
    傅吉毅(2008)。《臺灣科幻小說的文化考察: 1968-2001》。秀威資訊科技股份有限公司。
    曾栩(2014)。《英劇在中國內地的傳播及啟示》。暨南大學碩士論文。
    蒋励(2015)。《英剧在中国的跨文化传播研究》。天津师范大学碩士論文。
    鄧惟佳. (2009)。<試析西方「迷研究」的三次浪潮和新的發展方向>,《國際新聞界》,(11):46-50。
    餘意(2006)。《台灣單身都會女性主體分析---以《慾望城市》女性閱聽人為主》 。政治大學新聞研究所碩士論文。
    戴錦華(2006)。《性別中國》,臺北市:麥田出版。
    Abercrombie, N., & Longhurst, B. J. (1998). Audiences: A sociological theory of performance and imagination. Sage.
    Attebery, B. (2014). Decoding Gender in Science Fiction: Taylor & Francis.
    Busse, K., & Gray, J. (2011) Fan Cultures and Fan Communities. Nightingale, V. (Ed.). (2011). The handbook of media audiences (Vol. 5). John Wiley & Sons.
    Barr, M. S. (2000). Future females, the next generation: new voices and velocities in feminist science fiction criticism: Rowman & Littlefield.
    Bell, D. (2006). Cyberculture Theorists: Manuel Castells and Donna Haraway: Taylor & Francis.
    Bould, M. (2003). Chp5 Film and television. James, E., & Mendlesohn, F. (2003). The Cambridge Companion to Science Fiction: Cambridge University Press.
    Bould, M., Butler, A., Roberts, A., & Vint, S. (2009). The Routledge Companion to Science Fiction: Taylor & Francis.
    Busse, K., & Gray, J. (2011) Fan Cultures and Fan Communities. Nightingale, V.
    Coile, C. (2013). More than a Companion:&quot; The Doctor`s Wife&quot; and Representations of Women in&quot; Doctor Who&quot;. Studies in Popular Culture, 83-104.
    Donawerth, J. (2009) Chp22 Feminism. Bould, M., Butler, A., Roberts, A., & Vint, S. (2009). The Routledge Companion to Science Fiction: Taylor & Francis.
    Flynn, N. (2015). 「Strong Female Characters」 An Analytical Look at Representation in Moffat-Era Doctor Who.
    Freedman, C., & Barr, M. S. (2000). Science Fiction and the Triumph of Feminism: JSTOR.
    Gabilondo, J. (1995). Postcolonial Cyborg: Subjectivity in the Age of Cybernetic Reproduction. Gray, C. H., Figueroa-Sarriera, H. J., & Mentor, S. (1995). The cyborg handbook.
    Geraghty, L.(2009). Chp15 Television since 1980. Bould, M., Butler, A., Roberts, A., & Vint, S. (2009). The Routledge Companion to Science Fiction: Taylor & Francis.
    Gray, J., Harrington, C. L., & Sandvoss, C. (2007). Fandom: Identities and Communities in a Mediated World: NYU Press.
    Han, S. (2013). Chinese Science Fiction: A Response to Modernization (Vol. 40, pp. 15-21).
    Haraway, D. (2013). Simians, Cyborgs, and Women: The Reinvention of Nature: Taylor & Francis.
    Hills, M. (2010). Triumph of a Time Lord: Regenerating Doctor Who in the Twenty-first Century: I. B. Tauris.
    Hochscherf, T., Leggott, J., Palumbo, D. E., & Sullivan, C. W. (2011). British Science Fiction Film and Television: Critical Essays: McFarland & Company.
    Hollinger, V. (1990). Introduction: Women in Science Fiction and Other Hopeful Monsters. Science Fiction Studies, 17, 133.
    Hollinger, V. (2003). Chp8 Feminist theory and science fiction. James, E., & Mendlesohn, F. (2003). The Cambridge Companion to Science Fiction: Cambridge University Press.
    James, E., & Mendlesohn, F. (2003). The Cambridge Companion to Science Fiction: Cambridge University Press.
    Janes, L. (2000). Introduction to Part Two. Hovenden, F., Janes, L., Kirkup, G., & Woodward, K. (2000). The Gendered Cyborg: A Reader: Taylor & Francis.
    Jones, G. (2009). Chp51 Feminist SF. Bould, M., Butler, A., Roberts, A., & Vint, S. (2009). The Routledge Companion to Science Fiction: Taylor & Francis.
    Jowett, L. (2014). The girls who waited? Female companions and gender in Doctor Who. Critical Studies in Television: The International Journal of Television Studies, 9(1), 77-94.
    Kistler, A. (2013). Doctor Who: A History: Lyons Press.
    Klein, G., Suvin, D., & Lecorps, L. (1977). Discontent in American science fiction. Science fiction studies, 3-13.
    Leitch, G. I., Palumbo, D. E., & Sullivan, C. W. (2013). Doctor Who in Time and Space: Essays on Themes, Characters, History and Fandom, 1963-2012: McFarland, Incorporated Publishers.
    Liu, CX. (2013). Beyond Narcissism: What Science Fiction Can Offer Literature. Science Fiction Studies, 40(1), 22-32.
    Lothian, A. (2015). Chp5 Feminist and Queer Science Fiction in America. Canavan, G., & Link, E. C. (2015). The Cambridge Companion to American Science Fiction: Cambridge University Press.
    McArthur, J. A. (2008). Digital subculture: A geek meaning of style. Journal of Communication Inquiry.
    Mellor, A. (1984). Science fiction and the crisis of the educated middle class. In Popular Fiction and Social Change (pp. 20-49). Macmillan Education UK.
    Merrick, H. (2003). Chp18 Gender in science fiction. James, E., & Mendlesohn, F. (2003). The Cambridge Companion to Science Fiction: Cambridge University Press.
    Romano, A. (2014 January 13). Why does the man behind `Doctor Who` and `Sherlock` still have a job?
    Russ, J. (1995). To Write Like a Woman: Essays in Feminism and Science Fiction: Indiana University Press.
    Sandvoss, C. (2005). Fans: The Mirror of Consumption: Wiley.
    Sargent, P. (1995a). Women of Wonder: The Classic Years: Science Fiction by Women from the 1940s to the 1970s: Harcourt Brace.
    Sargent, P. (1995b). Women of Wonder: The Contemporary Years: Science Fiction by Women from the 1970s to the 1990s: Harcourt Brace.
    Seed, D. (2011). Science Fiction: A Very Short Introduction: OUP Oxford.
    Tidwell, C. (2014). No Longer Estranged: Women, Science, Science Fiction. Ph.D. Dissertations, University of Texas Arlington.
    Tulloch, J., & Jenkins, H. (1995). Science Fiction Audiences: Watching Doctor Who and Star Trek: Routledge.
    Yang, W. (2013). Voyage into an Unknown Future: A Genre Analysis of Chinese SF Film in the New Millennium. Science Fiction Studies, 40(1), 133-147.
    Wu, Y. (2013). &quot;Great Wall Planet&quot;: Introducing Chinese Science Fiction. Science Fiction Studies, 40(1), 1-14.
    Description: 碩士
    國立政治大學
    傳播學院傳播碩士學位學程
    103464063
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1034640633
    Data Type: thesis
    Appears in Collections:[傳播學院傳播碩士學位學程] 學位論文

    Files in This Item:

    File Description SizeFormat
    063301.pdf8723KbAdobe PDF2767View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback