English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113303/144284 (79%)
Visitors : 50795979      Online Users : 400
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 文學院 > 宗教研究所 > 期刊論文 >  Item 140.119/105841
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/105841


    Title: 真形、神圖與靈符:道教三皇文視覺化初探
    Authors: 謝世維
    Hsieh, Shu-Wei
    Contributors: 宗教所
    Keywords: 道教視覺文化;真形;神圖;靈符;三皇文
    Daoist Visual Culture;True Form;Divine Diagrams;Numinous Talismans;Three Sovereigns
    Date: 2016-03
    Issue Date: 2017-01-17 15:58:40 (UTC+8)
    Abstract: 本文主旨在探討道教的視覺文化。從六朝道教經典當中,來探討道教對「圖」、「符」與「文」的看法,並從中勾勒出道教經典當中對道教圖象的思維。道教「圖」、「文」的論述對道教的圖象思維起著關鍵性的作用。從本文分析的脈絡來看,我們有必要重新思考原來這種架構在藝術史與美術館研究的區分標準,將圖象的範圍放寬,並從道教的理路來思考,借用視覺文化的取徑,建立道教的視覺文化。本文從六朝唐代道教經典當中涉及圖文的論述中展開討論,期望從根源當中理解道教的圖象思維。本文以四世紀到八世紀的三皇文為主要考察文獻,並涉及天師道、上清、靈寶等傳統的文獻,而對道教視覺文化的討論將從七個面向展開:一、真形;二、存思;三、身體內化;四、聖化;五、空間結構;六、儀式脈絡;七、功能與聖顯。從不同面向對道教視覺文化的討論可以發現,這七個面向呈現道教視覺文化的多重層次,也使我們對早期道教當中的圖象思維有嶄新的理解。
    This paper explores the concept of Daoist Visual Culture, and further considers Daoist attitudes towards the definitions of "image." It also explores Daoist attitudes towards images, talismans, and texts in Daoist scriptures, and from there outlines concepts related to Daoist images in Daoist scriptures. Descriptions of "images" and "texts" in Daoist scriptures provide key insights to the creators’ visual thinking. We need to reconsider the definition of image in art history and establish the visual culture of Daoism according to Daoist concepts. This article analyzes the Daoist image based on the discussion of pictures and texts in Daoist scriptures during medieval China. The main references in this paper are the Sanhuang Wen, or Writs of the Three Sovereigns scriptures and the Celestial Master, Great Purity and Numinous Treasures scriptures from the fourth to the eighth century. This paper will investigate the visual culture of Daoism from seven different perspectives: 1. True Form; 2. Visualization; 3. Embodiment; 4. Empowerment; 5. Space; 6. Ritual Context; 7. Functions. Building on these perspectives, this study reveals new understandings of visual culture in early medieval Daoism.
    Relation: 興大人文學報, 56, 23-58
    Data Type: article
    Appears in Collections:[宗教研究所] 期刊論文

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML2916View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback