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| Title: | 文化取向的傳播研究 : 雷蒙.威廉斯論點之探討 |
| Authors: | 謝國雄 |
| Contributors: | 陳世敏
謝國雄 |
| Date: | 1984 |
| Issue Date: | 2016-11-08 15:55:16 (UTC+8) |
| Abstract: | 論文提要
本文共約六萬字左右，計分七章。文中所稱「文化取向的傳播研究(Cultural approach to Communication)」，是以英國文化研究(cultural studies)為代表。第一章導論，分析傳播主流研究，並指出其極限，進而說明文化研究正可補其不足。第二章舖陳文化研究之源起、轉捩及其與傳播研究之關係，其中轉捩歷史，則以當代文化研究中心(Center for Contemporary Cultural Studies, CCCS)之發展為例，以反映文化研究理論導向之演變。第三、四、五章分別探討文化研究之巨擘－－雷蒙．威廉斯之三組核心概念：(一)文化、傳播與共享過程；(二)感知結構；(三)意圖與霸權，希望經由此途徑瞭解威廉斯論點對文化研究發展的貢獻與啟示。第六章則舉出四個足以彰顯「文化取向的傳播研究」之範例，印證本文之分析。最後一章則思索文化研究之理論導向，並嘗試指出其可供本地傳播研究借鏡之處。
第一章 導論：從傳播主流研究到文化研究1
第一節 傳播主流研究1
第二節 規範性典範(normative paradigm)與「效果」之諸層面 5
第三節 邁向文化研究9
第二章 文化研究之內涵17
第一節 文化研究的源起17
第二節 文化研究之轉捩－－當代文化研究中心之成立及其理論取向之沿革21
第三節 文化研究與傳播研究 27
第四節 雷蒙 • 威廉斯生平與著作31
第三章 文化、傳播與共享過程(Community of process) 40
第四章 感知結構(Structure of feeling)53
第五章 意圖(intention)與霸權(hegemony) 73
第一節 傳播科技決定論 73
第二節 「意圖」之引進 75
第三節 霸權78
第六章 文化取向的傳播研究－－四個範例92
第一節 Mc Luhan－－媒介就是訊息92
第二節 Gerbner 等人－－暴力輪廓(violence profile)與潛化分析(cultivation analysis) 95
第三節 Michael Real－－大眾文化(mass-mediated culture) 98
第四節 Hall 和 Morley－－製碼(encode)和解碼(decode)103
第七章 結論及理論的思索 110
參考書目120 |
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| Relation: | 國立政治大學
新聞研究所
碩士
72 |
| Data Type: | thesis |
| Appears in Collections: | [新聞學系] 學位論文
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