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| Title: | 探究列斐夫爾「抽象空間」裏的羅闌巴特 |
| Other Titles: | Exploring Roland Barthes in Henri Lefebvre`s |
| Authors: | 吳素真
Wu, Su-chen |
| Keywords: | 作者已死;空間的實踐;空間的表徵;抽象空間;差異空間
the death of the author;spatial practices;representations of space;abstract space;differential space |
| Date: | 2009-01 |
| Issue Date: | 2016-09-10 14:05:49 (UTC+8) |
| Abstract: | 羅闌巴特《作者以死》理論，顛覆傳統閱讀看待作者的方式，透過這本文 學批評的論述，羅闌巴特讓解讀的權威主權與權威主體，切割分離。《羅闌巴特 論羅闌巴特》，通常被視為後現代自傳體的範本，描述自我主體的分裂過程與特 性。在《羅闌巴特論羅闌巴特》自傳式的作品中，羅闌巴特提醒讀者去省察， 自身在自傳式的閱讀中，應該採取什麼角度位置，去定義人的主體性。 於本自 傳式的書寫中，藉由顛覆社會性與文化性衍生出來的既定的角度，羅闌巴特特 別關切人類主體性本質的認定，與語言的關聯性。同時，他也試圖帶關於身體 的論述，回到文本寫作空間中去探究。這本自傳式作品的書寫方式，在文學書 寫呈現的領域範疇，有其非凡的成就。在《空間之生產》一書中，列斐伏爾探 索空間新的面向，其探索的觸角推往超越已有的認知疆界。列斐伏爾認為，空 間應該被視為社會網絡關係中，不斷往前推移，交互進行的場域，而非僅止於 社會關係交互作用下的結果。本篇研究以羅闌巴特的作品《羅闌巴特論羅闌巴 特》為文本，以列斐伏爾《空間之生產》為理論依據,去探討空間實踐與生產的 議題並同時相扣呼應羅蘭巴特在作者已死的文學理論。 羅闌巴特自傳式的文 本，藉由其跳脫自傳式約定俗成的寫作論述，與行文中呈現自身身體意象的創 意方式，巧妙呼應列斐伏爾的「抽象空間」理論。在此空間裏，正面與負向的 力量，彼此形成,又同時交互拉拒。《羅闌巴特論羅闌巴特》可被視為一個新論 述寫作方式的實驗室，在此實驗室裡，新的空間演繹而生﹔在此實驗室裡，羅 闌巴特也創造出屬於自己的「抽象空間」，而孕育岀一種新的辨證關係。在這新 的辨證關係裏，衍生「差異空間」，在這「差異空間」中，一種屬於社會空間文 學創作生產的重要性改變，正在進行。
In "The Death of the Author," Roland Barthes challenged the traditional way of viewing the role of an author. Barthes`s articulation of the death of the author is the most radical recognition of this severing of authority and authorship. Roland Barthes par Roland Barthes is often considered an exemplary poststructuralist autobiography, one which implements the splitting of the self. In this autobiographical work, Barthes applied principles derived from his own literary theories as described in "The Death of the Author." Barthes reminds readers to be aware of what positions they should take toward their definitions of human subjectivity in an autobiographical reading. In this autobiographical practice, he is especially concerned with the nature of the human subject and its relation to language. Barthes also highlights the important role the human body has played in the production of social practice. By his literary work, Barthes`s image of his body, as part of a text, goes beyond the autobiographical interpretations in the received senses. In The Production of Space, Henri Lefebvre explores new dimensions of spatiality, pushing its frontiers beyond the known. In Henri Lefebvre’s words, space should be seen as the site of ongoing interactions of social relations rather than the mere result of such interactions. This paper makes use especially of Lefebvre`s The Production of Space as the main theoretical ground to discuss the issue of spatial practice and production, and applies it to Roland Barthes’s autographical writing in Roland Barthes par Roland Barthes. Roland Barthes`s artistic practice in this autobiographical work is an invitation to a new practice of writing and reading and comprehending. Roland Barthes has presented a new mode of production, which is assumed to have its own particular space. This new space, according to my arguments, corresponds with Lefebvre`s theory of "abstract space," within which a dialectical relationship between an old discourse and a new one is developed, and “a differential space” is created, in which the transformative force is produced. A radical change in the production of literary practices in social spaces is underway. |
| Relation: | 外國語文研究, 9, 24-38
Foreign language studies |
| Data Type: | article |
| Appears in Collections: | [外國語文研究] 期刊論文
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| 09(p24-38).pdf | | 122Kb | Adobe PDF2 | 215 | View/Open |
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