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政大機構典藏 > 學術期刊 > 外國語文研究 > 期刊論文 > Item 140.119/101851

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101851

Title:	初世都太夫一中的人物像
Other Titles:	The Essay about the Miyako Tayu Icchuu (I)’s
Authors:	小俣喜久雄 Kikuo, OMATA
Keywords:	一中節;都太夫一中;近松門左衛門;紀海音;浄瑠璃 Icchuu-Bushi;Miyako Tayu Icchuu;Chikamatsu Monzaemon;Kino Kaion;Joruri
Date:	2006-01
Issue Date:	2016-09-10 11:58:43 (UTC+8)
Abstract:	初世一中所創造的「一中節」，為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響，成為後來豐後節．常磐津節．富本節．清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之｢溫和派｣淨瑠璃之鼻祖。因此｢一中節｣在近世淨瑠璃中扮演重要角色。本論文根據明福寺之亡魂名冊．演員評論．文學記載等資料，探討他的為人與品德。 ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait.
Relation:	外國語文研究, 3, 38-60 Foreign language studies
Data Type:	article
Appears in Collections:	[外國語文研究] 期刊論文

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