English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50922892      Online Users : 932
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101729


    Title: 活字印刷與臺灣意識： 日治時期臺灣民族主義想像的社會機制
    Other Titles: Typography and Taiwan Consciousness: The Social Mechanism of Nationalist Imagination in the Period of Japanese Rule
    Authors: 蘇碩斌
    Su, Shuo-Bin
    Keywords: 民族主義;印刷資本主義;活字印刷;想像共同體;臺灣意識
    imagined community;nationalism;print capitalism;Taiwan consciousness;typography
    Date: 2011-10
    Issue Date: 2016-09-09 13:59:47 (UTC+8)
    Abstract: 本文以活字印刷的媒介作用解釋日治中期「臺灣意識」的發生。基於安德森的想像共同體概念與麥克魯漢媒介理論，本文藉由分析1920 至1930 年代的《臺灣民報》，指出文學作者認知到活字印刷的媒介，改以不特定的讀者大眾為訴求對象，而在報紙文學中設想出臺灣意識。這個臺灣意識始自對抗日本，後漸與中國分離而形成「三百六十萬臺灣人」的明確民族主義邊界。本文以此論證，日治中期的臺灣意識已是具有現代建構論意含的想像共同體。
    This paper treats the “Taiwan consciousness” that emerged in the middle of the period of Japanese rule as a kind of nationalism. Based on Benedict Anderson’s theory of “imagined community,” together with Marshall McLuhan’s theory of “media,” the author considers that Taiwan consciousness could have been arisen with the emergence of type-print literature by analyzing texts advocating literature in the newspaper Taiwan Ming-Bao from the 1920s to the 1930s. It is argued that the abstract concept of the “Taiwan people” was first claimed because the newspaper authors were aware of the capability of typeset print and then appealed to the nonspecific masses, instead of familiar friends, as their readers. At the beginning, the term “Taiwan people” to oppose the Japanese was not distinguishable from that of China. Afterwards, starting from the late 1920s, a clearer boundary between Taiwan and China was drawn in the presssponsored literature contests. That is to say, the Taiwanese nationalism concerning the “3.6 million people of our Taiwan” took shape as an imagined community according to Anderson’s theoretical meaning. Thus, thedevelopment of typographic printing should be understood as the key mechanism to the modernist construction of Taiwan consciousness.
    Relation: 新聞學研究, 109, 1-41
    Mass Communication Research
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    109-1-41.pdf624KbAdobe PDF2249View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback