English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50923275      Online Users : 891
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101620


    Title: 全球化的「更真實」狂熱: 真人實境節目的心理技術
    Other Titles: Passion for “the More Real”: The Psychotechnology Between Global Reality TV and its Audiences in Taiwan
    Authors: 簡妙如
    Jian, Miao-Ju
    Keywords: 心理技術;真人實境電視;媒體科技;觀眾研究
    psychotechnology;reality TV;media technology;audience research
    Date: 2008-01
    Issue Date: 2016-09-08 11:45:04 (UTC+8)
    Abstract: 真人實境節目(reality TV)的全球化崛起,展現出一股以追求「更真實」為核心的電視狂熱。本文由名為「心理技術」(psychotechnology)的論點出發,探究真人秀節目所追求的「真實」與觀眾之間所具有的科技與主體的互相形塑關係。一方面,真人秀節目追求的,其實是比真實有更多技術確認的,更可無中介地參與奇觀現場的更真實。而同時,真人秀觀眾也突顯出一種技術閱聽人的新主體性,是由媒體所中介的科技體現,以及結合媒體素養與集體智能等技術能力,來回應、介入真人秀節目的真實宣稱。另一方面,台灣觀眾對於外來真人秀節目的接收,也展現出電子媒體影像對於社會真實空間的反轉。原本更陌生的、不真實的異國真人秀,卻弔詭地在本地觀眾心中取得更為真實的地位。
    Reality-based television has emerged as a global TV genre which represents a distinctive passion for ‘the more real’. Following an argument from McLuhanian theory names “psychotechnology” which means the co-constructive relationship between media technology and audiences, this article explores the new cultural politics on reality TV in the context of digital and global era. The conclusion indicates that the reality TV audiences are getting rather eager to see a more technologically confirmed and immediately live spectacle, which are considered to be more real. The audiences are also becoming a technologically skilled audience, who embodies the mediated sensibility and possesses all kinds of media literacy and collective intelligence to response and intervene into the reality claim of reality shows. Paradoxically, the local audiences believed that the imported reality shows are far more real than the local ones. This study pointed out that the passion for the more real has reversed the mental distance on the global and local TV reality.
    Relation: 新聞學研究, 94, 1-60
    Mass Communication Research
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    94(p.1-60).pdf535KbAdobe PDF21901View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback