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    政大機構典藏 > 學術期刊 > 文化越界  > 期刊論文 >  Item 140.119/100688


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    題名: 這次他開始旅行了：侯孝賢《珈琲時光》的陰性轉向
    其他題名: This Time He Travels: Café Lumière and Hou Hsiao-Hsien`s Feminine Turn
    作者: 鄧紹宏
    Teng, Shao-Hung
    關鍵詞: 侯孝賢;《珈琲時光》;旅行;火車／電車;母體;晶體─影像
    Hou Hsiao-hsien;Café Lumière;travel;train/tram;matrix;crystal-image
    日期: 2015-03
    上傳時間: 2016-08-23 17:56:43 (UTC+8)
    摘要: 這篇論文嘗試從旅行的視角，探視侯孝賢《珈琲時光》（Café Lumière, 2003）中的陰性轉向。論文透過交通工具（火車／電車）、女性及歷史三個面向，說明侯孝賢如何在旅行的異文化接觸中，開放出不同於過往設定在台北的當代片對於女性角色的呈現與想像，並轉而將當代都會配置為一無人稱母體，將日常事物收納在湧現與生發的動態流變中。我將討論分為四部分，第一部分簡要說明侯孝賢當代片所呈現的困頓與脫逃衝動;第二部分聚焦素有侯氏電影簽名之稱的「火車」，配合與都市、旅行及電影史的關聯，探討此交通工具在《珈琲時光》中的轉化。第三部分說明《珈琲時光》中女性形象的串連及轉變;第四部分取徑／鏡德勒茲（Gilles Deleuze）的影像哲學，思考《珈琲時光》以母性／母體為晶種而生發的影像能量。
    This paper studies Hou Hsiao-hsien`s feminine turn in Café Lumière (2003) through the filter of travel. By way of analyzing the train/tram, female characters, and history in the film, the paper traces how Hou`s contact with a foreign culture brings forth an innovative imagination of female characters different from that of his earlier works set in urban Taiwan. The experience enables Hou to characterize the city as a non-personal matrix, folding everyday events into ceaseless emergence, contingency and becoming. The first part of the paper illustrates the dynamic of entrapment and escape in Hou`s contemporary urban films. The second part posits Hou`s signatural train imagery in relation to the city, travel and film history and discusses its transformation in Café Lumière. While the third part highlights the film`s unique deployment of a constellation of females, the final part adopts Gilles Deleuze`s image philosophy to catalyze a crystal-image that condenses and reflects multiple sheets of female/feminine experiences in everyday city life.
    關聯: 文化越界,2(1),135-160
    Cross-cultural Studies
    資料類型: article
    顯示於類別:[文化越界 ] 期刊論文

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