政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/100662
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113311/144292 (79%)
造訪人次 : 50937841      線上人數 : 941
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋
    政大機構典藏 > 學術期刊 > 文化越界  > 期刊論文 >  Item 140.119/100662


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/100662


    題名: Otaelo: Reading Shakespeare’s Othello in Igbo Culture
    作者: Balogum, Lekan
    關鍵詞: culture;Osu;ritual;patriarchy;adaptation;Shakespeare;postcolonial;Other (ness)
    日期: 2013-03
    上傳時間: 2016-08-23 17:50:11 (UTC+8)
    摘要: Adaptations involve the translation or the transposition of an original text into another form--rendering of the plays of other cultures in terms of place, time, title and sometimes framework and thematic concern, without losing the dramatic quality. The essence of adaptation, what Adeoti calls “looking back on the ancients” (4), foregrounds the liberal humanist concern about the world that is to Barry “essentially unchanging” (18). Shakespeare has enjoyed tremendous attention, in terms of the adaptation of his works by African, Caribbean and dramatists of other climes than perhaps any other writers known. Several of his works have yielded to “re-contextualising” or “transculturation” (Hutcheon146), which allowed for, in the opinion of Conteh-Morgan and Olaniyan, “inter-cultural negotiations”(53). This paper examines one of such efforts by Ahmed Yerima, a foremost Nigerian dramatist, whose dramaturgy is marked by the clear-cut evidence of the influence of Soyinka’s Ogun tragedy, that owes its conception to Nietzsche’s and “best understood in Hellenic values as a totality of the Dionysian, Apollonian and Promethean virtues” (Soyinka 231). He merges indigenous cultural material with Western model, in his adaptation of Othello, to “re-work Shakespeare in African terms,” as argued by Banham et al (287). With the Igbo Osu caste system, a ritual and cultural practice that separates rather than unite the people as his central focus, he draws attention to the sameness and difference between the source text and the adaptation, much as the play engages with the postcolonial reality and concern of the African society in a fast changing world.
    關聯: 文化越界,1(9),110-137
    Cross-cultural Studies
    資料類型: article
    顯示於類別:[文化越界 ] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    1(9)-110-137.pdf2182KbAdobe PDF2889檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋