政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/100441
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113451/144438 (79%)
造訪人次 : 51296859      線上人數 : 818
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/100441


    題名: 見與不見:《大亨小傳》中的真實與虛擬現實
    The Seen and the Unseen: On Reality and Virtual Reality in The Great Gatsby
    作者: 黃憶
    Huang, Yi
    貢獻者: 邱彥彬
    Chiou, Yen Bin
    黃憶
    Huang, Yi
    關鍵詞: 虛擬現實
    虛擬凝視
    視覺經驗
    可見性
    virtual reality
    virtual gaze
    visual experience
    visibility
    日期: 2016
    上傳時間: 2016-08-22 10:38:41 (UTC+8)
    摘要: 史考特‧費茲傑羅(F. Scott Fitzgerald)的小說《大亨小傳》為一深刻反映二十世紀美國文化的作品之一，書中描述主人翁蓋茲比如何在現實中追求不可及的夢想直至夢想幻滅的過程。在現實的不可抗逆下，蓋茲比以各式物質展演將不可見慾望的化為清晰的圖像。
    本論文將透過廣告及攝影概念的引用，探討圖像與觀者的連結如何創造出一個既不屬於現實也不屬於幻象的虛擬現實，並論述蓋茲比如何運用觀者的觀看經驗為自身建立起一可被認同的身份，並且以這樣的策略開展小說中關於視覺與想像的辯證。
    第一章略述《大亨小傳》的梗概、介紹其相關評論與說明本論文理論架構。第二章將藉由對二十世紀初媒體發展回顧重新定義「可見」的概念；第三章將詳述費茲傑羅與其作品與名流文化及媒體的密切性，及媒體文化對作者生活及作品的影響。第四章檢視書中敘事者尼克視覺化的觀察方式，進而分析其虛擬凝視(Virtual Gaze)如何打破生理視覺的侷限進而發展出一結合主體感觀經驗與客觀現實的感知方式。第五章重新討論小說中現實與幻象的矛盾，並點出「虛擬」將翻轉對現實的固有認知，並且成就更多可能性。
    F. Scott Fitzgerald’s The Great Gatsby has been regarded as one of the most brilliant literary works that captures the essence of the roaring twenties. In the novel, Fitzgerald takes readers into a full picture of the life of Gatsby, unfolding the life of the glamour in a new world material without being real and the conflicts between social classes. Writing against the lucid narrative strategy, Fitzgerald completes The Great Gatsby with impressive languages, imagery and symbols. The present thesis would like to adopt theories of advertising and photography to examine how the order of presentation and observation is converted at the time when visual perception is inevitably intertwined with subjective imagination. In addition, the present thesis also aims to shed light on the concept of virtual gaze as well as the notion of identity by taking vision from the field of the visible into the field of the virtual.
    Chapter one begins with the introduction of The Great Gatsby and the methodology used in the present thesis. Chapter two includes literature reviews concerning the issue of seeing and Fitzgerald’s The Great Gatsby. Chapter three focuses on reviewing the presentation of images used in the mass media and on building the interrelationship among Fitzgerald’s life and the notion of “visibility.” Chapter four pays attention to the concept of “virtual gaze” and its capability to break the boundary between physical eyesight and imagination. Chapter five reconsiders the ambiguity of reality associated with contradictory vision and further validates the value of “virtual gaze.
    參考文獻: Barrett, Laura. “ ‘Material Without Being Real’: Photography and the End of Reality in ‘The Great Gatsby’”. Studies in the Novel 30.4 (1998): 540–557. JSTOR. Web. 7 July 2015
    Batchelor, Bob, ed. American pop: popular culture decade by decade. Greenwood Publishing Group, 2009. Print.
    Berger, John. Ways of Seeing: Based On the BBC Television Series With John S Berger. London: British Broadcasting Corporation and Penguin Books, 1972. Print.
    Berman, Ronald. Translating modernism: Fitzgerald and Hemingway. Alabama: U of Alabama P, 2009. Print.
    ---. Fitzgerald, Hemingway, and the Twenties. Alabama: U OF Alabama P, 2001. Print.
    ---. Modernity and Progress: Fitzgerald, Hemingway, Orwell. Alabama: U of Alabama P, 2005. Print.
    ---. The Great Gatsby and Modern Times. Chicago: U of Illinois P, 1994. Print.
    Bewley, Marius. “Scott Fitzgerald’s Criticism of America.” Twentieth Century Interpretations of The Great Gatsby. Ed. Ernest Lockridge. New Jersey: Prentice-Hall, 1968, 37-53. Print.
    Biers, Katherine. Virtual Modernism: Writing and Technology in the Progressive Era. Minneapolis: U of Minnesota P, 2013. Print.
    Carlisle, Rodney P. Handbook to Life in America: The Roaring Twenties, 1920 to 1929. New York: Facts On File, Inc, 2009. Print.
    Curnutt, Kirk. The Cambridge Introduction to F. Scott Fitzgerald. New York: Cambridge UP, 2007. Print.
    Dessner, Lawrence Jay. “Photography and The Great Gatsby” Critical Essays on F. Scott Fitzgerald’s The Great Gatsby. Ed. Scott Donaldson. Boston: G. K. Hall & co,1984. 175-186. Print.
    Donaldson, Scott, ed. Critical Essays on F. Scott Fitzgerald’s The Great Gatsby. Boston: G. K. Hall & co, 1984. Print.
    ---. “Fitzgerald’s Nonfiction” The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. New York: Cambridge University, 2002. 164-188. Print.
    ---. Fitzgerald and Hemingway: Works and Days. New York: Columbia University, 2009. Print.
    ---. “Scott Donaldson on Gatsby and the HistoricalAntecedents for Gatsby.” Bloom’s Guides: The Great Gatsby. Ed. Harold Bloom. New York: Chelsea House, 2006. 114-119. Print.
    Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print.
    Friedberg, Anne. Window Shopping: Cinema and the Postmodern. California: U of California P, 1994. Print.
    Foucault, Michel. Discipline and Punish: The Birth of the Prison, Trans. Alan Sheridan. New York: Vintage Books, 1979. Print.
    Galow, Timothy W. Writing Celebrity: Stein, Fitzgerald, and the Modern(ist) Art of Self-Fashioning. New York: Palgrave Macmillan, 2011. Print.
    John T., Irwin. F. Scott Fitzgerald’s fiction: “An Almost Theatrical Innocence”. Maryland: Johns Hopkins UP, 2014. Print
    Langman, F.H. “Style and Shape in The Great Gatsby” Critical Essays on F. Scott Fitzgerald’s The Great Gatsby. Ed. Scott Donaldson. Boston: G. K. Hall & co, 1984. 31-53. Print.
    Lauren Rule Maxwell. “Consumer Culture and Advertising” F. Scott Fitzgerald in Context. New York: Cambridge UP, 2013. 311-320. Print.
    Lears ,T. J. Jackson. Fables of Abundance: A Cultural History of Advertising in America. New York: Basic Books, 1994, Print.
    Miller, James E. Jr., The Fictional Technique of Scott Fitzgerald. : Springer Science+Business Media Dordrecht, 1957, Print.
    Minter, David. A Cultural History of the American novel: Henry James to William Faulkner. New York: Cambridge UP, 1994. Print.
    Ohmann, Richard. Selling Culture: Magazines, Markets, and Class at the Turn of the Century. London: Verso, 1996. Print.
    Parr, Susan Resneck. “The Idea of Order at West Egg.” New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Cambridge UP, 1985. 59-78. Print.
    Posnock, Rose. “A New World, Material Without Being Real: Fitzgerald’s Critique of Capitalism in The Great Gatsby.” Critical Essays on F. Scott Fitzgerald’s The Great Gatsby. Ed. Scott Donaldson. Boston: G. K. Hall & co, 1984. 201-213. Print.
    Prigozy, Ruth, ed. The Cambridge Introduction of F. Scott Fitzgerald. New York: Cambridge University, 2007. Print.
    Prigozy, Ruth, ed. The Cambridge Companion to F. Scott Fitzgerald. New York: Cambridge University, 2002. Print.
    ---. “Introduction: Scott, Zelda, and the Culture of Celebrity” The Cambridge Companion to F. Scott Fitzgerald. New York: Cambridge University, 2002. 1-27. Print.
    Sontag, Susan. On Photography. New York: Rosettabooks, 1973. PDF file.
    Wilson, Elizabeth. ‪Adorned in Dreams: Fashion and Modernity‬. New York: I.B. Tauris & Co Ltd, 2003. Print.‬ ‬‬‬‬‬‬‬‬‬‬‬
    Williams, Raymond. Problems in Materialism and Culture: Selected Essays. London Verso, 1980. Print.
    描述: 碩士
    國立政治大學
    英國語文學系
    99551012
    資料來源: http://thesis.lib.nccu.edu.tw/record/#G0995510121
    資料類型: thesis
    顯示於類別:[英國語文學系] 學位論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    012101.pdf416KbAdobe PDF2109檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋