政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/100362
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113318/144297 (79%)
Visitors : 51032840      Online Users : 910
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/100362


    Title: 音樂產業全球化、流動著床與生產模式的重塑—台灣流行音樂產業為例
    Other Titles: Globalization of music industry, floating embeddeness, and evolution of production model: a case study of Taiwan pop music
    Authors: 張容瑛;周志龍
    Chang, Jung-Ying;Chou, Tsu-Lung
    Keywords: 台灣流行音樂產業;生產模式;著床;流動著床;去著床
    Taiwan pop music industry;Production model;Embeddedness;Floating-embeddeness;Disembeddedness
    Date: 2006-05
    Issue Date: 2016-08-17 11:22:23 (UTC+8)
    Abstract: 流行音樂產業相關研究，大致上，藉由西方發展經驗，歸結流行音樂產業地理的內涵與軌跡；東方流行音樂脈絡，至今仍處學術領域的黑盒子。本文以台灣流行音樂產業為例，目的在於探討生產模式（production model）與產業空間著床（embeddedness），兩者之間的互動關係。以流行音樂產業發展歷程為背景認知，本文主張，基於社會、政治、經濟因素的持續變遷，產業著床關係改變與音樂生產模式轉型，為共演化的過程。換言之，流行音樂生產模式隨著時間演化，基於產業成熟度及地方能力的差異，促成產業群聚中的著床關係隨之產生變化。本文最後指出，因應全球化音樂經濟的挑戰，關鍵在於，台灣流行音樂產業秀過「制度化的流動著床」，建構以小博大能力，使地方流行音樂群聚與全球佈局，進行串接。
    Reasearch on the music industry has long been focused primarily on the West. this paper investigates the relationship between production model and spatial embeddedness of Taiwan pop music industry. Considering the historical context, this paper argues that transformation of pop music production model is co-evolving with changes of embeddedness because of transitional social, political and economic fators. In other words, evolution of pop music production model over ime contributes to adaptation of embeddedness in local cluster based on differences of industrial maturity and localized ability. The paper concludes that `institutionalized floating-embeddedness` is crucial for current Taiwan pop music industry to develop higher leverage of local clusters, so as to integrate with the global music economy.
    Relation: 臺灣土地研究, 9(1), 33-62
    Journal of Taiwan land research
    Data Type: article
    Appears in Collections:[Journal of Taiwan land research] Journal Articles

    Files in This Item:

    File Description SizeFormat
    9(1)-33-62.pdf1475KbAdobe PDF2448View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback