政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/100146
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113318/144297 (79%)
造访人次 : 51049417      在线人数 : 941
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/100146


    题名: 起源與重複：德勒茲哲學的差異問題性
    其它题名: Genesis and Repetition: The Problem of Difference in Gilles Deleuze
    作者: 楊凱麟
    YANG, Kai-Lin
    关键词: 德勒茲;起源;差異;重複;極限
    Gilles Deleuze;Genesis;Difference;Repetition;Extreme
    日期: 2014-01
    上传时间: 2016-08-11 16:41:42 (UTC+8)
    摘要: 對德勒茲而言，差異是「哲學的真正開始」，但每一差異同時卻又總是「已經重複」，哲學的源起於是處於一種獨特的張力之中：已經重複的差異標誌一種真正開始，但哲學本身則充實於此「真正開始」的不斷開始，換言之，在真正開始與已經重複之間哲學誕生，哲學就是哲學的系列開始本身。這是何以對差異與重複的構思對德勒茲具有無比的重要性，德勒茲的全部哲學似乎圍繞這個獨特的起源命題，由此衍生他對於哲學史與美學經驗（文學、繪畫、電影、音樂與戲劇）的問題性。
    The present paper seeks to discuss how Deleuze conceptualizes the difference as the veritable beginning of philosophy, and on the other hand, how difference serves as an “already repetition.” The philosophical genesis remains situated and saturated in a permanent and singular intensity: difference of being already repetition implicates a veritable beginning, but the philosophy ends in the repetition of the beginning. Intertwined between the veritable beginning and already repetition, philosophy is thus brought to its emergence, and then placed in its series of (re)commencement. This explains why the concept of difference and repetition plays a pivotal role in examining the thought of Deleuze. As such, the paper attempts to demonstrate how Deleuze’s philosophy is dedicated to the stake of genesis, the stake stemming from the profusion of genealogical inheritance, such as the philosophical thread sparked from Spinoza to Foucault through Leibniz. Also, the genealogical inheritance of genesis opens Deleuze’s thought onto the problematic of philosophy and aesthetics such as the genres of literature, painting and cinema.
    關聯: 政治大學哲學學報, 31, 107-140
    The national Chengchi university philosophical
    数据类型: article
    显示于类别:[政治大學哲學學報 THCI Core] 期刊論文

    文件中的档案:

    档案 大小格式浏览次数
    31-107-140.pdf549KbAdobe PDF2429检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈