政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/100142
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113325/144300 (79%)
造訪人次 : 51188258      線上人數 : 882
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/100142


    題名: 「淡」與審美轉化：由現象學看山水畫
    其他題名: “Blandness” and Aesthetic Transformation: Chinese Painting as seen from a Phenomenological Stance
    作者: 宋灝
    SONG, Hao
    關鍵詞: 山水畫;現象學;身體;平淡;審美轉化
    Chinese painting;Phenomenology;Body;Blandness;Aesthetical transformation
    日期: 2013-07
    上傳時間: 2016-08-11 16:40:44 (UTC+8)
    摘要: 本文企圖在圍繞山水畫上的「展現」和「淡」這兩項藝術哲學環節上提示倫理維度和藝術實踐之間的聯繫，也就是凸顯出審美活動如何轉成一種生活實踐。延續、擴充海德格的藝術論說，本文根據中國畫論資料和歐洲哲學脈絡下的圖像理論來討論這個問題：藉由審美實踐，人如何關聯到世界，藝術如何具體敞開一個生活場所？借助身體現象學和感受美學這兩種視角的結合，在相關山水畫的古代畫論上可以證成的是：山水畫奠基於身體自我，在觀者身上帶出某種審美轉化。凸顯周遭環境這種特色的畫景給觀者開展其本身所歸屬之「處境」，面對圖畫的審美直觀也就使得觀者返回到自身存在，開顯出一個具體的生活世界。圖像之所以可能引發這種審美效應，起源在於特殊的章法，也就是傾向「淡」和「幽微」的展示特色。本文不但反駁再現論之下的山水詮釋，而且同時也批判與再現論相反之「去再現」這個看法。這一點本文自畫面組成和審美體驗都取得印證。此番探討過程當中特別處理並且反駁的假設是：觀看山水畫這種審美直觀當中，觀者會遺忘自身所處而全身全心投入沉迷於畫景中。與其說畫景吸納觀者，還不如體會到繪畫藝術的展示即是將觀者引到自身「處於世界之中」這種具體屬己狀態。
    This paper is concerned with representation and the aesthetical phenomenon of “blandness” in Chinese Painting, in order to evince a crucial relation between aesthetics and ethics. It is shown how aesthetical experience may eventually turn into some kind of living practice. Drawing some inspiration from Heidegger’s discourse on the art work, yet referring to Chinese painting and contemporary media theory, this paper discusses the following question: How can art disclose a concrete life environment and thus, by means of aesthetical practice, give access to the real world? When combining phenomenology of the body with the stance of aesthetics of reception, evidence can be found in ancient Chinese treatises on painting for the following issue: Centered on the bodily self, painting initiates sort of an aesthetical transformation with existential implications. The painted landscape yields the spectator his or her original life situation, thus delivering him or her to the real life world, through intuition of the picture. Crucial for provoking this effect are peculiar ways in which the painting has been executed, the pictorial character of “faint and hidden” being of primary importance. This paper not only rejects classical theories of representation as invalid for Chinese painting, yet also gives a critique of the inverse notion of “de-representation”, by ways of a discussion of the pictorial structure and the process of intuition. Thus the phenomenological assumption that the spectator somehow “immerges” in the picture, forgetting about his real existence and environment, is critically revised in this investigation. Instead the main point it is argued for is that the painting leads the spectator back into his or her original “being-in-the-world”, emphasizing his or her authenticity in existence.
    關聯: 政治大學哲學學報, 30, 155-187
    The national Chengchi university philosophical
    資料類型: article
    顯示於類別:[政治大學哲學學報 THCI Core] 期刊論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    30-155-187.pdf634KbAdobe PDF2339檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋